James Bickley – lead guitar – is a ‘Slash’ in the making. Mudpie, sloopy, syrupy chuckling licks slobber from his nimble fingers as they lazily slide and groan across loose strings. Those cowboy boots, lush mop (with the vilest of fringes), and pavilion swivelling hips foretell that this lanky preacher-man (with Gee-tar instead of a bible) is already living life as a rock n roll adventurer. Here’s one to watch.
Scott Freeman (vocals & guitar) is a solidly built Jethro looking shoveler, helmsman and chug. He is the fulcrum and activator of the band and plays rhythm guitar so furious that he can bug-a-bug with the best of ’em from noon till dusk. His melodious voice – notes are struck with extreme precision – and the pitch is just right – sets the tone for a polished performance.
The band is completed by Robin Rathbone on drums, a rattle snake man and firecracking omnipresent thwacker; And the shuffling and vibrating ching-master, the ever reliable Tom Ridler on progressively played bass.
They play classic rock tracks filled with grunge and gutsy harmonics – punk rock undertones yet prog-rock aspirations
Faultless manoeuvres crafted from rods of iron and as dark as the soot and ashes that surround them …. they played an astonishing set to the happy marauders at the Staines Hobgoblin mangling juddering substance with lyrical punctuation from that ever-peppery lead guitar. It was a full blown grenade launching fiery conquest of a set!
‘Rocket Motel’ has container loads of rattly chords and pile-driver percussion that evolves into a head-bangers delight. Groovy basslines from Tom and thundery chords establish the perfect landscape for the excellent chorus. On this number Scott (vocals) reminds me of Marilyn Manson at his lyrical best.
‘Embers’ sounds ‘Aerosmithy’ with plenty of bouncy rhythm guitar and thrilling lead guitar bursts from James -this song has a cabaret feel to it – as if it were to be played on stage with a velvet rope and a couple of pneumatic blondes writhing around the poles.
‘Move and Erase’ has a playful percussive element from Robin on drums and a far more punky style than the other These Are Teeth offerings. Razorsharp bursts of guitar light up the catchy chorus. This sounds reminiscent of something by ‘The Cure’ before a blast of flames from the lead guitar breaks things up and gets things a-smouldering!
Oh, and thanks for “The Boys Are Back in Town” – always a barnstormer and crafted and played with precision and love.
Best jaw cracking, sharp, strong and pulverizing rock band that I have seen in a long while!