Tag Archives: Surrey

SKUNK ANANSIE — Scholarship Recipient Announced at ACM

In June it was reported by AD PONTES that The Academy of Contemporary Music (ACM) in Guildford, Surrey had announced the launch of their first ever SKUNK ANANSIE SCHOLARSHIP.

The recipient of this prestigious award receives a fully funded place on one of the academy’s reputable degree courses, worth up to £27,000…

The recipient of the prestigious award would receive a fully funded place on one of the academy’s reputable degree courses, worth up to £27,000.

The ACM have now announced that CYREEZ LEWIS will be the first ever recipient of the exclusive scholarship. Cyreez will receive his entire three-year Vocal Degree programme, fully funded at the Academy’s London campus.

After an intense judging process, Skunk Anansie, their management, and ACM tutors agreed that Cyreez Lewis should be awarded this prestigious prize.

Skin, vocalist in Skunk Anansie, had this to say, “Cyreez’s performance really resonated with me. You could feel his drive and passion which reminded me of why I first got into music. It’s fantastic to be able to offer Cyreez this opportunity in partnership with ACM and I believe it will make a real difference in his career. I’m really looking forward to seeing Cyreez progress as a vocalist and can’t wait to see the bright future that lays ahead of him...”

Chosen for his talent and dedication, Skunk Anansie were pleased to award CYREEZ LEWIS

Chosen for his talent and dedication, Skunk Anansie were pleased to award such a deserving candidate with the first ever Scholarship in their name.

As one of the most successful UK charting bands pioneering British Rock, Skunk Anansie have a wealth of musical experience under their belt making them ideal role models for the next generation of the music industry housed at ACM.

Ace, the guitarist in Skunk Anansie and ACM’s Head of Creative Industry Development, broke the news to Cyreez who was ecstatic to have received the inaugural award, “It was brilliant to break the news to Cyreez…” said Ace. “He was clearly over the moon and it feels great to make such a difference to this talented musician’s life. I’m really excited to get started on working with Cyreez in my Industry Link role at ACM this September…

Cyreez said: “Winning the scholarship means the world to me, I am so grateful, excited and privileged that I was chosen as the winner, thank you. Music is all I want to do with the rest of my life and winning the Scholarship gives me the chance to write, produce and share my music with the world. I play keyboard, guitar and use the loop pedal to record my backing sound, so the opportunity that the Scholarship has provided me with will give me the chance to improve and become the best I can be. I look forward to my time at ACM and cannot wait to learn from some of the best tutors and just do what I love doing daily.”

ACM has been building sustainable, long-lasting careers in the music industry for over 22 years. With campuses in Guildford, London and, new for September 2017, Birmingham, the Academy prides itself on delivering a unique approach to education which focuses on learning by doing. Looking for hard work and passion, ACM is proud to now offer more than £100,000 worth of Scholarships to ensure that their sought-after courses are more accessible than ever.

Limited spaces are still available at ACM’s Guildford, London and Birmingham campuses for study this September, to find out more or apply through Clearing please call the Admissions team on: 01483 500 841

Link: https://www.acm.ac.uk/

Advertisements

ACM LIVE — Summer Concert

On Thursday we attended the industry evening of ACM Summer Live. The series of concerts in Guildford, Surrey held this year at the Electric Theatre lasts four days (with matinee performances) and boasts over 60 new acts.

This years event was organized in collaboration with Eagle 3 Radio [Surrey and Hampshire ] and benefited MUSIC SUPPORT a charity that provides help and support for individuals in the United Kingdom Music Indsutry who suffer from alcoholism, addiction or emotional or mental health problems.

Mardhys, the 5-piece groove-orchestra…

The acts were introduced by Eagle 3 Radio presenter Jack Johnson .

First on stage were the Guildford five-nation five-piece groove-orchestra MARDHYS who are an experimental alt-folk collective fronted by the talented dreamer & chief songwriter Melatti Braam.

Songs such as “Old John” (an anti-bullying number) possessed scratched rhythms, sparkling vowels and a wriggle of violin that eeled its way through the haunting veil of harmonies. Think of English art-rock band the Moulettes playing Dylan songs to Tusk-era Fleetwood Mac beats.

The four-piece CHINA BEARS from Guildford (they seem to have mislaid Rosie along the way) provided bumptious bass-lines and kite-running anthems.

Hyrda” has seaside chirpiness with nostalgic melodies and suggestively breezy vibrations. They reminded us of Ohio indie rockers The National.

China Bears – seaside chirpiness with nostalgic melodies…

Guildford based alternative indie rock band NEON ISLANDS brought bold ‘n’ fruity tropical bass-lines and lots of fizzy guitar textures with frantic rhythms to go with flirtatious numbers.

Carlos de los Santos provided voice and more front than Harrods, while Jamie Hayes on bass guitar was simply bloody sensational and Nico Narbona (keys) offered a smooth atmosphere. Rhythms were expertly clouted out by Sam Lawson on drums. Their irrepressible charm and unmistakable ego was perhaps more significant than the total sum of their parts and outpourings, but hey! that’s what rock ‘n’ roll is all about.

London urban pop artist and singer-songwriter CHINCHILLA [Daisy Bertenshaw] who studied at the ACM Metropolis Studios academy campus in Chiswick has a mezzo-soprano range and raps in silvery cockney bursts. At SUMMER LIVE it was as if Ms. Dynamite had met Lily Allen in an Archway launderette to discuss men and moan about the weather. Last year’s wordy and grumbly “Playing With Fire” is a powerful hymn to pain and salvation. She’s unquestionably a rising star and one-to-watch!

Nabsora – exceptional

NABSORA (Brian Alejandro) is a rapper and producer originally from Colombia but is now based in London. He brought us a blast of interwoven social commentry through poety and hip-hop. His message relied on peace, love and understanding rather than rebellion.

As a poet he’s exceptional. As a rapper and lyricist he’s outstanding. His “Proud” has deep ridges of sound and is a profound crisis of contemplation set amongst vast expanses of forgiveness The vocal work is fast but accessible with elegant rhymes and melodic-hot songcraft.

Danish alternative electro-pop artist AIA creates marvelously colorful ear-tonics with decisive decency in her lyrics, taking in intertwisting rhythms to add to the drama of her performance.

AIA – intrepidly hypnotic…

She’s a fine tunesmith and an intrepidly hypnotic artist. (She reminded us of American synth-pop artist Halsey )

Also at the ACM Summer Live concert on Thursday were the Southampton based dramatic & punchy electronic duo UHURU consisting of singer/songwriter & producer Connor Daniel with Rob Jones on guitar and keys.

Plus soul and gospel singer JULY JONES and the distinctive indie-pop troupe THIS ROSE

It was a stunning evening of variety, discovery and five-star talent.

Words and pictures: @neilmach 2017 ©
Main Picture: CHINCHILLA
Link: https://www.facebook.com/acmuk/

The Academy of Contemporary Music (ACM) is a music academy in Guildford, Surrey [with sites in London and Birmingham] that offers full-time courses for guitar, bass, drums, vocals, keyboards, music production, artist development & songwriting, radio broadcasting, creative sound design, tour production & management and music business.

ACM SKUNK ANANSIE SCHOLARSHIP

The Academy of Contemporary Music (ACM) in Guildford, Surrey has announced the launch of their first ever SKUNK ANANSIE SCHOLARSHIP.

The recipient of this prestigious award will receive a fully funded place on one of the academy’s reputable degree courses, worth up to £27,000.

All applicants that have successfully auditioned and enrolled for Degree programmes in Bass, Drums, Guitars, Keys or Vocals at either ACM Guildford, ACM London or the group’s newest campus, ACM Birmingham, will be eligible to apply.

The recipient of this prestigious award will receive a fully funded place on one of the academy’s reputable degree courses, worth up to £27,000…

Those applying will submit a video performance for screening by ACM’s world class teaching faculty, with a shortlist delivered to Skunk Anansie for a final decision to be made.

The award winning British rock band has been recording & touring for over 20 years, and have sold over 6 million albums and comleted many sold out world tours.

They’re the perfect role models for ACM’s students. In between studio recording and touring with the band, guitarist Ace works at ACM as Head of Creative Industry Development and drummer, Mark Richardson, is a Wellbeing Coach for the academy students.

Ace said “I’ve been honoured to be working with ACM for a very long time now, booking top industry guests, sourcing real world work opportunities, setting up networking events and advising students on a one to one basis. For three months of the year I pause my work on-campus so that I can tour with the band – bringing back the freshest knowledge directly from the industry back to the students. The music business has been very good to us over the years and it feels incredible to give back and make someone’s dream of studying music a reality.

Skunk Anansie vocalist, Skin, said “We are so excited to be able to offer such a life changing opportunity in partnership with ACM. Starting out in music can be tough financially, so being able to take away that burden for someone who is at the very beginning of their journey is incredibly rewarding. We love the fully immersive experience that ACM offers its students and are so excited to see the shortlist.”

Applications are still open for September 2017 study at ACM Guildford, ACM London and ACM Birmingham.

To book an audition or visit the Academy for an open day go to www.acm.ac.uk or call the admissions team directly on 01483 500 841.

To apply for the SKUNK ANANSIE SCHOLARSHIP or one of ACM’s other scholarship awards (including the Freddie Mercury Award and the BASCA Scholarship), visit www.acm.ac.uk/scholarships

MOODY MAAS + GLEN — Live in Staines

This week MOODY, MAAS and GLEN played a tasty selection of emotionally soul-stirring songs from their recent album Black & Chrome live in Staines, Surrey.

We went along to see.

Black & Chrome – Ali Maas & Micky Moody

The collaboration of Ali Maas and Micky Moody started in 2014 as a songwriting project that quickly developed into some excellent album work. Another album is on the way.

Their musical union results from a shared admiration for blues, soul, Americana, palpitating rhythms and captivating melodies.

Aside from his well-documented time with Whitesnake, Micky Moody was also a member of Juicy Lucy, Roger Chapman and the Shortlist, Snakecharmer and others.

Ali Maas was lead singer and writer for critically acclaimed band McQueen.

Their highly accomplished studio band comprised of a group of luminous musicians that included the amazing drummer Jimmy Copley, who sadly died this month.

The British harmonica player Alan Glen — who was a member of Nine Below Zero (1991-1995) as well as The Yardbirds — was also involved.

Their pruned-back live-show boasts that same trio — Moody, Maas and Glen. We saw their concert at the Staines Riverside Club on May 18th. Other dates have also been announced.

Ali Maas- Frequent cloud-bursting highs…

Ali Maas took centre stage at the Riverside, with the master-musicians at the flank.

Her vocal style was reminiscent of Alannah Myles with many velvety, sorrowful layers and frequent cloud-bursting highs. The light accompaniment from Moody & Glen reminded us of stripped-back Fleetwood Mac.

Moody, who told the audience he suffered from bad back, “caused by a dishwasher incident...” created delicate and fanciful guitar notes.

In particular, his slide guitar-work was skilful. And even though there was no drummer on stage, he frequently provided percussion through clever touches and slaps of the guitar body and picking the strings.

Glen played electric rhythm guitar for the most part, often adding rich and expressive lyrical moments to songs with his blues harp or providing intense emotions via those howling solos.

The show began with the magnificently melancholic “A Change In Everything” with thoughtful contemplations behind every loose-toned reflection and haunting lyrics like, “Sometimes we are better off alone...”

And then we enjoyed “Woman Be Wise” with those warning words: “Don’t Advertise Your Man…

Ali Maas suggested she suffered from “fried egg” after a cold — although her vocal was rich and satisfying, and did not seem fatigued or overly mucoid. Moody remained perched on his stool for the duration — maybe his back felt a little sore.

Excellent covers included the excellent “In My Girlish Days” [Memphis Minnie] and the syncopated standard “San Francisco Bay Blues” [Jesse Fuller] made famous by Eric Clapton, Bob Dylan and more.

Dusty’s “Son of a Preacher Man” went down particularly well with the Staines crowd. The interpretation by this talented trio was lunar and majestic.

The soft-shoe number “Emotional Powder Keg Blues” was apparently written by Ali when she was going through what she described as a “bunny-boiler phase…

This number had pat-a-cake rhythms and expressive guitar-lines provided by Alan Glen.

Towards the finale we had “Big Mama” Thornton’s 12-bar blues song “Hound Dog” that has been recorded over 250 times and is one of the world’s best ever sellers…

The MOODY, MAAS and GLEN rendition had all the impudence & euphoria we appreciated in the original.

This was a thoroughly pleasurable evening filled with artistry and flair.

Words & Pictures: @neilmach 2017 ©
You can read a recent interview with MAAS & MOODY here: https://rawramp.me/maas-and-moody
Black & Chrome by Ali Maas & Micky Moody ‎is OUT NOW via Armadillo Music
Link: https://www.mickymoody.com

Moody, Maas & Glen – expressive lyrical moments…

CURVED AIR — Back Screech Love? In Concert at Claygate

This Sunday we visited CLAYGATE — at the tail-end of their superbly organised MUSIC FESTIVAL week — to see the pioneering British progressive rock group CURVED AIR play live in concert at the Claygate Village Hall.

Their “Air Conditioning” album (1970) is still considered “essential listening” by the prog-rock crowd.

Retrospective – Anthology 1970-2009 – Best Of – (Remastered) – Curved Air

It was exciting to see a band — so famous — in what amounted to a village hall.

And the band have a strong Surrey heritage too [forerunner Sisyphus played one of their first performances at the Leith Hill Place Ballroom, Surrey] — so they were made very welcome.

After an extended instrumental introduction, the original “Hair” girl Sonja Kristina emerged onstage in a swirl of boho gypsy waftiness to get the crowd clapping along before the start of her distinctive low-dark, sexy vocal styling.

One of the first songs performed was “Stay Human” from the most recent album “North Star” [2014] with the “I am still your lover...” line.

This has strong riffs and thriving violin work from the “Sideshow Bob” lookalike Paul Sax on violin

(Fiddle-wizard Paul was one of the first participants at the Yehudi Menuhin School… and it shows.)

Sonja Kristina emerged onstage in a swirl of boho gypsy waftiness…

Screw” began with a two-tone riff played by the elfin “Legolas” Robert Norton on keyboards.

With clashing cymbals from original drummer Florian Pilkington-Miksa and unfolding vocal drama.

This number sounded like an avenging angel — on the prowl and dangerous. The alarming shrieks from Paul’s violin added to the sense of urgency and impending doom.

In the Seventies the band were often referred to as “the British Jefferson Airplane” and with songs such as “Marie Antoinette” [from Phantasmagoria, 1972] it is easy to see why.

This number was full of delicious harmonies, expert twiddles, and a lot of punches and trills.

However, it was a protest song at heart, although misted in historical imagery. Back in the 1970’s the worlds of fantasy, psychedelia and new-age shininess could all be packed-together in one gorgeous song. And they still made social comment. How cool is that?

Paul was one of the first participants at the Yehudi Menuhin School… and it shows…

Sonja took an acoustic guitar for the popular folk-song “Melinda (More or Less)” [also from Phantasmagoria.]

This beauty is a fan favorite and shows the hippie principles of the band as well as their eternal affection for the folk-star Donovan.

Unfortunately the second half of the show was bugged by a very loud and completely unpleasant feedback squeal.

“We need to find that pesky mouse….” Sonja told the crowd.

The problem was temporarily fixed — but it didn’t stop a lot of people from wandering off into the night.

The show ended with the fantastic “Back Street Luv.”

This super-hit demonstrated Sonja’s slow vocal style, which still reaches those husky tenor lows where she seems happiest, though she breaks into expressive contralto register at times.

Chanting revolution, pop and psychedelia.

Progressive rock is never much better than this…

Words & Images: @neilmach 2017 ©
Link: https://www.facebook.com/CurvedAir/

STEVE MORRISON — Guitar Star Live in Staines

Since being on the telly [Guitar Star, Sky Arts 2015] the home-crafted bluesman STEVE MORRISON has become a bit of a draw.

We saw him and his band “Blues Abuse” [with Alan Hughes on drums and the legendary Alan Glen on harmonica] playing live at the superior RIVERSIDE CLUB, STAINES last Thursday.

During the first half of the electrifying show we enjoyed “Call Me the Breeze” JJ Cale [Naturally, 1972] which was rewarding, buoyant and appropriately transient.

Steve’s picking technique is impressive … he provides bass notes, chords and twiddles — often simultaneously.

Steve provides bass notes, chords and twiddles — often simultaneously... Photo Credit @neilmach 2017 ©
Steve provides bass notes, chords and twiddles — often simultaneously… Photo Credit @neilmach 2017 ©

Steve’s own composition titled “Love Has Gone” was gently set.

With baroque influences and a supreme lament-filled sob at the end, given up by Glen.

The sprinkle of finely chosen guitar notes fell like a confetti of anxious teardrops.

Another self-penned number, the “James Bond” theme called “Climbing On Top of the World” (“writing that was at the very top of my to don’t list…” Steve told the Staines audience) seemed crenelated and indented.

A fine blend of thrill, suspense and remarkable release.

In the second half, the happy crowd at the club were enlisted to join in with the choruses “just think of this place as a church… a church that sells beer…” we were told.       So we sang as we swayed.

Everyone from Elvis to Beyoncé via Suzi Quatro has covered Little Willie John’s “Fever.”

The Morrison version of this Peggy Lee favourite [penned by Eddie Cooley and Otis Blackwell] had all the ingredients we’d expect from a bigger blues-band – tangy bass line [played by Steve] yummy guitar work, and an awesome voice filled with heart & heat. And the “sax” licks were deliciously handled by Glen.

Full marks to Steve and his buddies for an entertaining live show.

The night had a whole lot of memorable moments (not just virtuoso guitar work, but also great drum solos, some fabulous blues-harp flurries and not to mention many gossipy revelations from Steve’s “telly” work — ) this was just like a traditional British rhythm and blues evening.

Another night of incredible quality musicianship at Staines, brought to us by the highest calibre musicians imaginable.

Words & Photos Neil Mach 2017 ©

Link: http://www.stevemorrison.eu

Freddie Mercury Scholarship Announced for ACM Guildford

The Academy of Contemporary Music (ACM) is a music academy located in Guildford, Surrey in England.

The Academy was the brainchild of Phil Brookes, a guitar tutor from nearby Woking, Surrey who established the institution in 1995 with the aim of bringing music education and the music industry closer together.

The ACM, with Metropolis Studios, have this week announced the inauguration of a Freddie Mercury Scholarship, endorsed by Queen's Roger Taylor and Brian May
The ACM, with Metropolis Studios, have this week announced the inauguration of a Freddie Mercury Scholarship, endorsed by Queen’s Roger Taylor and Brian May

The school differs from more traditional music academies because it focusses on rock, pop music, electronic dance music and delivers a vocational approach. Former students include Newton Faulkner and Ed Sheeran, among many others.

The Academy, with Metropolis Studios, have this week announced the inauguration of a Freddie Mercury Scholarship, endorsed by Queen’s Roger Taylor and Brian May.

The award comes in the year which will see the celebration of the singer’s 70th birthday, on September 5. The prestigious scholarship will fully fund a student’s entire study path and is worth up to £27,000.

The degree programme includes songwriting, performance, production and business modules and is delivered in accordance with ACM’s “learning by doing” ethos.

Queen band member Roger Taylor, who is also a patron of ACM and has a drum studio named after him at the academy’s Guildford campus, said, “Freddie’s name endures in so many ways so it’s therefore great to have this scholarship celebrating his musical genius!

Guitarist Brian May said: “This scholarship will be a lasting tribute to Freddie and the path he blazed. He would be happy to see young talent being helped to blossom. Of course Metropolis holds a very special place in Queen history, and it’s a pleasure to continue that link.”

The Metropolis Studios CEO, Ian Brenchley, is looking forward to welcoming the successful scholar to the studio in London, the world’s largest independent recording facility, where over 50% of the UK’s Top 40 is serviced, “We are hugely excited to be entering into this partnership and to be able to offer the scholarship to one lucky student. Freddie’s spirit is alive and well at Metropolis, where he wrote and recorded so much of his material and his legacy lives on every time his Fazioli grand piano is played in our flagship studio.”

http://www.acm.ac.uk/
http://www.thisismetropolis.com/