Tag Archives: Micky Moody

MOODY MAAS + GLEN — Live in Staines

This week MOODY, MAAS and GLEN played a tasty selection of emotionally soul-stirring songs from their recent album Black & Chrome live in Staines, Surrey.

We went along to see.

Black & Chrome – Ali Maas & Micky Moody

The collaboration of Ali Maas and Micky Moody started in 2014 as a songwriting project that quickly developed into some excellent album work. Another album is on the way.

Their musical union results from a shared admiration for blues, soul, Americana, palpitating rhythms and captivating melodies.

Aside from his well-documented time with Whitesnake, Micky Moody was also a member of Juicy Lucy, Roger Chapman and the Shortlist, Snakecharmer and others.

Ali Maas was lead singer and writer for critically acclaimed band McQueen.

Their highly accomplished studio band comprised of a group of luminous musicians that included the amazing drummer Jimmy Copley, who sadly died this month.

The British harmonica player Alan Glen — who was a member of Nine Below Zero (1991-1995) as well as The Yardbirds — was also involved.

Their pruned-back live-show boasts that same trio — Moody, Maas and Glen. We saw their concert at the Staines Riverside Club on May 18th. Other dates have also been announced.

Ali Maas- Frequent cloud-bursting highs…

Ali Maas took centre stage at the Riverside, with the master-musicians at the flank.

Her vocal style was reminiscent of Alannah Myles with many velvety, sorrowful layers and frequent cloud-bursting highs. The light accompaniment from Moody & Glen reminded us of stripped-back Fleetwood Mac.

Moody, who told the audience he suffered from bad back, “caused by a dishwasher incident...” created delicate and fanciful guitar notes.

In particular, his slide guitar-work was skilful. And even though there was no drummer on stage, he frequently provided percussion through clever touches and slaps of the guitar body and picking the strings.

Glen played electric rhythm guitar for the most part, often adding rich and expressive lyrical moments to songs with his blues harp or providing intense emotions via those howling solos.

The show began with the magnificently melancholic “A Change In Everything” with thoughtful contemplations behind every loose-toned reflection and haunting lyrics like, “Sometimes we are better off alone...”

And then we enjoyed “Woman Be Wise” with those warning words: “Don’t Advertise Your Man…

Ali Maas suggested she suffered from “fried egg” after a cold — although her vocal was rich and satisfying, and did not seem fatigued or overly mucoid. Moody remained perched on his stool for the duration — maybe his back felt a little sore.

Excellent covers included the excellent “In My Girlish Days” [Memphis Minnie] and the syncopated standard “San Francisco Bay Blues” [Jesse Fuller] made famous by Eric Clapton, Bob Dylan and more.

Dusty’s “Son of a Preacher Man” went down particularly well with the Staines crowd. The interpretation by this talented trio was lunar and majestic.

The soft-shoe number “Emotional Powder Keg Blues” was apparently written by Ali when she was going through what she described as a “bunny-boiler phase…

This number had pat-a-cake rhythms and expressive guitar-lines provided by Alan Glen.

Towards the finale we had “Big Mama” Thornton’s 12-bar blues song “Hound Dog” that has been recorded over 250 times and is one of the world’s best ever sellers…

The MOODY, MAAS and GLEN rendition had all the impudence & euphoria we appreciated in the original.

This was a thoroughly pleasurable evening filled with artistry and flair.

Words & Pictures: @neilmach 2017 ©
You can read a recent interview with MAAS & MOODY here: https://rawramp.me/maas-and-moody
Black & Chrome by Ali Maas & Micky Moody ‎is OUT NOW via Armadillo Music
Link: https://www.mickymoody.com

Moody, Maas & Glen – expressive lyrical moments…
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PAPA GEORGE and MICKY MOODY — Live in Staines

Award-winning bluesman PAPA GEORGE and legendary guitarist MICKY MOODY played a live concert at the fabulous STAINES RIVERSIDE CLUB on Thursday night. Rock vocalist and talented composer ALI MAAS joined them onstage as a special guest.

The duo played a selection of blues, rhythm and blues, soul and gospel songs that included some choice cover songs as well as a selection of Papa George’s own first-class numbers.

Songs like Little Feat’s “Sailin’ Shoes” had the crowd swaying along with its indolent lurching pace — the lethargic guitars and fervent passion of the lyrics penetrated every moment.

George’s fine picking on “You Can Love Yourself” ( by contemporary Delta blues artist Keb’ Mo’) was praiseworthy. As was the liquid bottleneck slide work from Micky.

Here George’s voice was wood-tar and old brandy seeing him perfectly capable of producing cream-hazelnut highs — husky-textured but sweet, sweet, sweet — from those incredible vocal folds.

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Papa George at Staines Riverside Club — here with Ali Maas

Jesus on the Mainline”  ( Ry Cooder)  was finely picked.

This gradually evolving Gospel number is a crowd favorite.

Encouraged to sing, the crowd at Staines joined-in enthusiasticall with the good-natured call and response.

Who likes John Lee Hooker?” cried Papa George. There was a yell of support so the musicians launched into “Crawling King Snake.

This a delta-blues song from the 1920’s that is almost always identified with Hooker. George’s voice on the piece was curmudgeonly and appropriately raw — but the guitarists had a whole lotta fun with the arrangement when they stumbled upon Muddy Waters’ “You Need Love” [the precursor to “Whole Lotta Love”]

The dynamic interaction and interdependence between these two consummate guitarists — plus their whiskey ‘n’ dry voices, with velvet textures — along with a canny song choice and the highlight ALI MAAS appearance — meant that this was a night to remember.

Words & Pictures: Neil Mach 2017 ©

Link: https://www.facebook.com/StainesRiversideClub/
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ALI MAAS BAND — Live in Staines

The excellent Staines Riverside Club is hosting a “Month Montage of Blues” — four Blues acts of high quality, hand-picked by the promoters, one for each Thursday evening during the month of September. You’ve probably seen the posters all around town.

This Thursday we enjoyed the Ali Maas band with Alan Glen and Micky Moody (guesting.)

The band more-or-less kicked off their set in Staines with Don Bryant’s song “99 lbs” (made famous by The Black Crowes — but actually first released by Ann Peebles in 1971.)

It’s a song-choice that reminded us that ‘Big’ Mama Thornton [she originally recorded “Hound Dog” in 1952] weighed a mere 99 lbs at the time of her death in 1984. This brings unexpected heartache to the songline: “Ninety-nine pounds of soul, oh, oh.

It is worth reminding ourselves that women blues singers like Big Mama, plus Bessie Smith, Ethel Waters, Lena Horne and, of course, “Lady Day” were among the most powerful and highest-paid entertainers of their day. These women ensured that the Blues remained a prosperous and potent art-form.

Ali Maas - wit and elegant passion in every phrase...
Ali Maas – wit and elegant passion in every phrase…

The soft-shoe number “Emotional Powder Keg Blues” was apparently written by Ali when she was going through a “bunny-boiler phase…” This number had pat-a-cake rhythms and expressive guitar-lines from Alan Glen.

One of Glen’s own compositions was the squelchy “No Time For You” whose rhythms and general 1970’s style reminded us of the bounce in “What’s the buzz?” That’s the song from the rock opera [Jesus Christ Superstar] that boasts the repeating percussive phrase: “Let me try to cool down your face a bit …

On the Alan Glen number the main voice from Ali was jazzy… With wit and elegant passion in every phrase.

The organ notes (Pete Whittaker) were talkative and blabby and delivered the goods along with guitar. This was a great number to introduce the skills of each musician. Roy Parsons’s bass was particularly memorable — a self-propelled jumble of electric jiggles.

After the break we had “Son of a Preacher Man” recorded by Dusty Springfield in 1968 but initially offered to Aretha Franklin. [Aretha turned it down, but her sister Erma recorded it for Soul Sister.]

Ali’s vocal performance reminded us of Dusty. She possesses a similar density of voice: with husky lows, followed by dashes to high places and heartfelt persistence when the song requires a big push. To sing the blues you need resolution and resistance. Ali has these qualities in abundance.

The"Million Dollar Sextet" here with Ali Maas [vocals]  Peter Miles [drums]   Alan Glen [harmonica]  Micky Moody [guitar]  Roy Parsons [bass]  Pete Whittaker on keys - out of shot
The”Million Dollar Sextet” here with Ali Maas [vocals] Peter Miles [drums] Alan Glen [harmonica] Micky Moody [guitar] Roy Parsons [bass] Pete Whittaker on keys – out of shot
Towards the end of this superior show in Staines Micky Moody came to the stage for the Muddy Waters number “I got my brand on you.” So, in effect, we had a “Million Dollar Sextet” in our club!

Who would not want to witness this incredible line-up and the resultant duel between the Yardbird’s blues harpist (Alan) and the lyrical guitar work from Whitesnake’s Moody?   And, of course, all this excitement was decorated with sweet care by Ali.

This was probably one of the best evenings we have enjoyed at this club.

Next Thursday Fran McGillivray (with Mike Burke) make their first appearance. Not to be missed!

Words & Images: Neil Mach 2016 ©

 

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Papa George & Micky Moody Bring It On Home to Staines

With a voice that was as thickly sweet as boat varnish and guitars that were as expressive as a Bombay Talkie, the two-man Papa George & Micky Moody show rode into Staines last night.

To our little ol’ club along the Staines Riverside .

Their show was filled with quality from start to finish. Full of extraordinary possibilities. Eloquent guitar work, chocolate vocals, theatrical performances (as agile as you can imagine) — with moods lightened by warm humour and genuine affection shown for (and by) the public.

We had numbers like “Bring It On Home” (a song written by American bassist-songwriter Willie Dixon) with articulate picking and brief but memorable forays into riff-work.

Papa George - Eloquent guitar work, chocolate vocals...
Papa George – Eloquent guitar work, chocolate vocals…

And the treatment of the multi-layered and extraordinarily poignant blues ballad “Please Send Me Someone to Love” was exceptional.

With wonderful interaction between guitars. And rhythms that were always precise and excellently controlled.

A show highlight was Little Feat’sSailin’ Shoes” with its lazy pace, languid guitars and a tropical heat that pervaded every nuance.

Another ‘tropical’ number was the poetic “Moonshadow On Coconut Grove” one of the songs written by Papa George himself (it’s available on his Live At The Ram Jam album Featuring Alan Glen.)

This romantic number described his feeling of kinship with the ever-young ‘Blue Hawaii’ Elvis.

This was yet another beautiful evening at the Staines Riverside Club. With both players in great shape. (It’s nice to see Papa George enjoying himself again.) An incredible night.

Words & Images: @neilmach 2015 ©
Links: http://www.papageorge.co.uk/
http://www.mickymoody.com

Micky Moody - Wonderful interaction between guitars...
Micky Moody – Wonderful interaction between guitars…