Through their inter-woven folk/rock prog-rock compositions, Elaine Samuels and KINDRED SPIRIT explore the magic of our existence.
We saw their spring show this week at the new community facility in the heart of Twickenham, in the excellent 320-seat theatre at Brewery Wharf — known as The Exchange.
Under a bright star-pentagram, an ancient sign of cyclic transformation, the show started with the driving energy of a new number.
“Pandora’s Box” had dragon-skin rhythms from Aleem Saleh on drums, enchanted voices from both Elaine and Catherine, threaded stringwork from the talented Martin Ash on violin and spiral water-snakes of pure enchantment from Catherine Dimmock on flute.
Their “Beast” cycle came in the first half of the concert. With “Run Red” perhaps the most melancholic part of the set-piece. Cloudy with violin mists, this lyrical “feminist historical anthem…” was performed with great majesty and artfulness.
Elaine explained that the song was inspired by a challenge given by a fan.
He dared her to write a song influenced by Alan Moore’s American Gothic story “The Cursed.”
The final part of the song-cycle was the Dylanesque and haunting “Wolves at the Gate.”
As well as the amazing song ‘Kindred Spirit’ with its gentle meanders, we also enjoyed the mysticism of ‘Children of the Stars’ a song that explored our shared journey across the universe, with yearning sax from Catherine.
We were also treated to a second apocalyptic new number [from their forthcoming fan-funded album.)
Titled “Red Rose” it began with a tribal drum then slowly built into a fiddle-dee-ree urban jig of wonderful proportions. The number was truly cinematic in scope.
The highpoint of the Twickenham show was, for us, the third new song from the much anticipated album. Titled “Daemons” this was the first time it had been played in public.
A prowling pace was set-up by drummer Aleem with loitering moodiness from Mike Hislop on bass.
Then began the ever-fermenting and promiscuously potent concoction of sounds.
With a frenzy of fire from Martin’s violin strings and lots of lucid provocation from Catherine… this was possibly the only true “prog rock” number of the night. Boy, what a stunner!
Kindred Spirit gave us seductive treasures, moments of complete serenity, and songs of constant wonder. A great show. We can’t wait for the next album.
The FOUR PLAY FESTIVAL is a low profile affair held at the Acoustic Couch in Bracknell and organized by local progressive rock band SPRIGGAN MIST.
It is a celebration of folk-prog talent and attracts an unprecedented array of free-spirited individuals, including [but not limited to] steampunks, pagans, hippies, fair folk and people of peace.
The unhurried schedule means that bands have enough time on stage to deploy their longest songs and tackle their most extravagant numbers.
The Acoustic Couch is a community project built in the concrete heart of Bracknell town and offers locals a pleasant and welcoming place to come and enjoy live music.
First on stage at FOUR PLAY were the five-piece JADE VINE based in London. This band was formed by the brothers Constantine (guitars, vocals) & Marios Magdalinos (guitars, vocals) in 2006.
Constantine & Marios wrote the first songs and gigged extensively as a duet before bringing the band together. At Bracknell we saw Mila Verney (piano & keyboards) and Yannis Paloyannidis (bass) with Babis Margaritidis (drums.)
We enjoyed songs like “Lost it All” that had a shimmering murkiness to them. We loved the repetitive guitar motifs and the slightly off-kilter drum-work. We also appreciated the vocals that we thought were reminiscent of Fish. Their neo-prog achievements soared with mind-blowing musical content, astounding lyrics and expert musicianship. Their 2016 album “MIND OF A MAN” is out now.
We’ve written about Elaine Samuels and her band KINDRED SPIRIT many times before.
It was great to see them onstage at Bracknell bringing their extraordinarily beautiful prog-folk songs to life and creating a series of imaginatively elaborate musical ideas.
“Wolves at the Door” had a fretful sax [Catherine Dimmock] and lamenting violin [Martin Ash ]and created ever-developing sensations of enhanced anxiety.
The song formed part of what Elaine described as the “Beast” cycle — consisting of three songs . The cycle was completed by “Run Red.” This had tranquilizing yet sinister textures — peacemaker flute with violin flares.
The bass-play on this song was excellent too [Mike Hislop] as was Catherine’s backing vocals. The remarkable thing about Kindred Spirit was that the band soldiered on without their drummer [he was taken ill at short notice] yet they managed to deliver a very polished and surprisingly tight performance.
Cult Welsh prog band MULTI STORY was formed in the 1980s.
Around the dramatic vocal performance of Paul Ford and Rob Wilsher’s wizard keyboards and superlative programming.
At that time  the band was invited to the BBC Maida Vale studio to record a session for Radio One Rock Show with Tommy Vance. The band was signed to Heavy Metal Records [FM label] and recorded a debut album in 1985 at Rockfield Studios.
Paul Ford was replaced by Grant Nicholas [who went on to be the Feeder front-man] and Grant worked on an album with the band in 1986 :Through Your Eyes — though the project broke up shortly afterwards.
The members of Multi Story went on to have successful careers in production and film projects and more recently, the original writing partners Rob Wilsher and Paul Ford starting working again. A new band began playing shows during 2015 in support of their project “Crimson Stone.”
Paul’s delivery at Bracknell was dramatically poignant — bordering on theatrical at times — and included some superior guitar-play. Rob’s keyboards were, as expected, sheer quality of class. A series of oscillations, waves and huge columns of sound. The song-melodies were catchy — with instant appeal. And often reminded us of 1969 era The Who.
If this event is to become something more ambitious in the future then the organizers will have to watch their ticket sales. [Fifteen pounds is good for a “full day of music” but too much for locals who might want to drop-in to catch just one or two bands.] They should also look at the possibility of wider promotion. It looked as if most of the audience consisted of “Sprigg” fan-club members or supporting musicians.
FOUR PLAY was a completely enjoyable way to spend a day. With hugely talented performers, friendly hosts and good (cheap) beer. What’s not to like?
Thanks to all involved… especially the co-hosts Spriggan Mist & Kindred Spirit and their fantastic crew. Also thanks to the staff at Acoustic Couch who made this special day so friendly.