Tag Archives: four wheel drive

Four Wheel Drive – Twickenham Green June 19

It’s lamentable that the Red Lion Pub (Filthy’s) at Twickenham has now closed for good – to be replaced by a Tesco Metro stores  (I ask you). This landmark pub was a real resort for rockers , an important stop-off point for every local band’s graduation and an integral part of the West London music scene. It was the petri dish for so much local talent that it should have been preserved by the heritage trust and had a blue plaque slapped upon it.  In fact, it should have it’s own entry in the rock and roll hall of fame. But now it’s gone (and so has The Marquee.) So it was laudable that our friends from ‘Four Wheel Drive’ made mention of this great rock n roll institution during their gig – a venue that played such a prominent part in their own development…

So it is June 19th and 4WD are playing on a bright red ‘London Pride’ wagon to a vibrant and good looking crowd on Twickenham Green as part of a week long set of festivities at Twickers.  It is a cold and cloudy afternoon,  but the boys have brought light and sunshine with them as they crank up the volume and heat up the statically charged air. It has to be said, to be fair, Four Wheel Drive has now outgrown this kind of event. It’s like watching your sixteen year old nephew playing with his younger cousin’s toy soldiers. A couple of years back it would have all seemed quite normal, but now these boys are too  big for their shorts, their bits are ‘sticking out’ when they are charging around, and those shoes are too small for the long toes. They are a bit too bold and boisterous for the other kids on the block. But on the other hand, isn’t it kinda special and kinda heartwarming that this fabulous band wants to play a free concert at their local public park before they hit pay-dirt and go global? And isn’t it the kinda thing that the Stones would’ve done? And you know what else? These guys really love their local fans. They honestly do. They are so proud of their Twickenham roots. And they just love to play live. So it’s gotta all be good.

You have to hand it to the Four Wheel Drive team. They live and breathe the rock n roll dream. They don’t just dress up and pretend to be rockers. They are rockers.  It just comes natural. And their live shows are as thrilling as a freefall drop sans le chute and as loud as a monster-truck derby.

From the moment the band exploded onto the impromptu ‘stage’ we knew we were in for an extraordinary treat. The sound quality was good. As good as anything I’ve heard in any club or pub that the boys have played in. It just shows that you do not have to compromise on sound when playing in the open – even off the back of a lorry. Of course, the boys put in 100% effort  (as they always do) and that energy goes a long way to ensure success. Crisp ‘n crunchy ‘White Lines’ evoked AC/DC from the Bon Scott era and is a powerful anthem. And ‘High Roller’, with vocals that are stretched tighter than a babestation girl’s G-string, is ludicrously catchy – frontman/ bass playing lead vocalist Jamie Lailey soon has the entire bubbling crowd singing along to that happy humdinger of a chorus. At other times the band sounded positively Zeppelinesque with fine blues guitar work from both Paddy Achtelik and Ben Austwick. But it  also seemed like we were watching a reincarnation of the early Rolling Stones circa 1965, with the fuzzy riffs, earnest vocals and authentic stadium-ready blues rock hurtling along towards us at an extraordinarily fast pace – helped along, every inch of the way, by Will Richards on blistering drums.

Finishing off the set with some scintillating razor-sharp covers including a very fine ‘Johnny B. Goode.’ and an astonishing  ‘Whole Lotta Rosie’, Four Wheel Drive never once paused for breath in this helter-skelter rollicking madcap rock n roll jaunt in the park. It lifted the spirits of the entire throng and such was the wave of enthusiastic applause that echoed and thundered around the Green – that the shock-waves knocked the dust and the moss from the sadly neglected guttering of that once proud and mighty Red Lion on the corner. Rock n Roll will never die. Not with the likes of 4WD around, anyway!

© Neil_Mach
June 2010

Links:

http://www.myspace.com/4wdtheband

http://www.fourwheeldriverock.com

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Four Wheel Drive – High Roller – Album Review

Four Wheel Drive

High Roller

With their catchy head banging compulsive choruses, sweet as honey-trap guitar licks, and piping hot lead guitar breaks with vocals that gasp for air due to their hi-octane dependency – Four Wheel Drive put on one hell of a live show.  So I expected nothing less from their new album “High Roller” –  produced by Misha Nikolic at Monster Track. (Half Ton Records). And I was not disappointed.  With production as slick as the suntan oil found on the damp smooth parts of a Texan sports-illustrated swim-wear model, this exuberant offering is drenched in tequila, whiffs of marlboro smoke and is as taut and as tempting as a showgirls G-string.

From the first track, ‘White Lines’ (for me the stand-out track on this recording) with its backdrop of crisp ‘n crunchy rhythms and croaking charcoal vocals, this album springs to life with the kind of vitality you thought was lost back in 1980.

These boys seem to have time travelled here from the Bon Scott era – but that is no bad thing.  ‘Cos back then we got treble the excitement, a pressure cooker of rock n roll antics and music as hot as a hookers hosiery. It is about time we reinvested some of our latent energy into supporting and backing this kinda pure and simple rock and roll.

‘Blood on the Walls’ is another wheezing rasping romp from the feelgood southernmost-point of the 4WD catalogue of rock. This song is a hot-tub of hoochie-coochie tension and you call feel the warm Dixieland sun smiling through each high-note. ‘High Roller’ encompasses startling cascades of percussion from Will and some shrieking vocals from Jamie – that are stretched as tight and as dangerous as a nervous holdup man’s stocking mask. This is one of their many AC/DC sounding tracks – a real motoring, hammering song that rivets home its message deep into your skull.

‘The Visions Gone’ was created with short brisk brush-strokes and has those bar-room blackjack stubbly lyrics and swaggering sneering cocksure vocals you’d expect in that kinda low-down dirty dive.  ‘The Game’ has the trills and juicy jolts of jostling guitar chords enlightened by lyrical lead guitar, and  also  embracing  some  embroidered work by rhythm guitar and percussion.
This is the first of a few Stonesy tracks from the 1970’s.

‘Six Foot Poster’ is old style rock n roll with a boogie sounding cheese-board of bite sized flavoursome bits n pieces. ‘Big Fat and Ugly’ has an enduring bass led background, rumpy dumpy thumpy bass-lines and some powerfully expressive moments. ‘ Rough around the Edges ‘ also sounds like Rolling Stones (circa ‘Tumbling Dice’ era) with counterpoints of puncturing sweet high notes against a compelling backdrop of thrumming chords.

‘Take a Drag’ takes you further back into rock n roll history with some dog-eared Eddie Cochranesque old-time rock n roll including some gee-tar licks that even Chuck Berry would approve of.

‘Time to Go’ is another of my favourites. Tight as a Vegas strippers garter this one, with luminous lead, timely harmonic twists, and  even a harmonica break. And this song incorporates a classy twin guitar tournament. This is one helluva tune . “Roll up ladies and gentlemen it is time to go… ” and tickets for this rock n roll groove train are up for grabs.

If I had any criticisms of the album they would be few.  This is an exuberant offering and at times the execution is tantalising.  Perhaps there is nothing crucial here. Furthermore, it could do with a few big fat slabs of chiming guitar in places and some even more memorable riffs. And, alas, that fine rumbling-tumbling percussion heard on the ‘High Roller’ track is not found elsewhere.

But HIGH ROLLER  is feelgood, red-flamed, hot-blooded unashamed rock n roll. And about as good as it gets.

© Neil_Mach
February 2010
Download the High Roller Album now for just £6:99

——————-

Tracks:

White Lines
Blood On The Walls
High Roller
The Vision’s Gone
The Game
Six Foot Poster
Big Fat and Ugly
Rough Around The Edges
Take A Drag
Time to go

Produced by: Misha Nikolic
Half Ton records 2009

All compositions: Lailey /  Austwick

Links:

http://www.myspace.com/4wdtheband

http://www.fourwheeldriverock.com/

http://www.monstertraxstudio.com/

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Four Wheel Drive, Hard Rock Hell – Part 2

Four Wheel Drive

Blessings

Four Wheel Drive at Hard Rock Hell III – Prestatyn North Wales-
Part 2

I worry about Danny (the singer from Tribal Law) all night. I worry about  4WD missing their chance for glory.  First thing in the morning I go down to see the Hard Rock Hell management.  They say they have been inundated with fans coming up asking about Four Wheel Drive. They confirm to me that 4WD will go on. The band will play at the end of the ‘day’ on the Old Skool NWOBHM Stage  – They will have a slot right at the end of the afternoon on this (smaller) stage set in the Queen Victoria pub (within the camp.) They will go on after the likes of Dumpys Rust Nuts and Hammerhead etc. It is not a grand stage.  It is not even a great setting. But it’s gonna be just right …. just right because those other old skool bands will warm up the crowd in all the right places. And what about Danny from Tribal Law?  “No news” says the man …. “But I hear he is OK”.

So we wait till the end of the ‘day’ for Four Wheel Drive.  We pass the time with the bands like Kingston’s Pig Iron (amazing Southern style raw metal) and Girlschool, Glitterati and Tigertailz.  Then we move into the Queen Vic ‘pub’ which is heaving with hot sweaty rock luvvas grinding to the sounds of Hammerhead.  For a few anxious moments it looks like Hammerhead don’t wanna relinquish the stage to the ‘new’ boys – Four Wheel Drive.  Paddy and Ben are standing at the back of the stage with sullen expressions upon their faces – well it is understandable,  this is their second day without booze ! God love ‘em.   But, anyway,  the stage manager (a rather short man wearing a cap that is too large for him and comedy eye-wear) finally tells old-timers Hammerhead to ‘F** Off’ and ushers on our hard working rock heroes…

The hairy festival poet introduces our boys and makes reference to their latest album.  He gives ’em a good, solid warm up and even goes some way to explaining why their gig had been postponed from the previous night.

For a few moments I thought that the crowd of NWOBHM die-hard fans would wander off from the area, but 4WD caught ‘em with an amazingly electrifying opening that cleared the way for a stupendous set.   Hooray!  Four Wheel Drive had finally made it. They had got to the zone before the zone had got to them…

The band’s balls-out Rock N’ Roll ‘attitude’ has accelerated considerably since the last times I caught ‘em live.  They are now less Southern Rockin in sound and stature and instead play a harder variety of rock / heavy metal. Yes, the Southern blues influences are still there but now the sound is brasher, bolder,  more self-assured.   Their’s is now mainstream variety rock, fit to fill stadiums – think the Australian rockers Airbourne to get an idea.

Paddy and Ben, stripped to the waist, played intertwining guitar solo arrangements and brazenly brash chords with flare and finesse and the excitement was truly raw and unpretentious. Will played Herculean drums with pride and pomposity, beating out the rhythm until the fragile walls of the pub began to tremble in sympathy.  The crowd roared with delight as the band ladled out the hits like ‘White Lines’  and ‘High Roller’.

The spectacle and the sheer brute force of this band were more than the ears (or eyes) could behold. Yet the Hard Rock Hell punters were screaming for more. As I looked around the venue I realised that scores more rockers were filing into the venue from next door (Stage 2) – which I assume was hosting Witchfynde.

The best man of the day, however, was – for me – the 4WD front man and bassist Jamie. He stands out like a tall icon of common sense and propriety in between the berserk frizzy mopped guitar twins. He holds his guitar high and shakes his black locks. His voice is so large it should come with its own planning application stapled to the front of the speaker boxes.  His voice adds another huge layer to the crisp sounds and textures going on in a flurry of activity around him. This band is so great and the sounds are so enriching, that you want to jump, jive and jig for joy.

In the latter stages of the incredible set, as Jamie introduced the band to the rapturous crowd and thanked Total Rock Radio and Hard Rock Hell for the opportunity to play the festival he also took out time to mention Tribal Law.  A shriek and claps rose up from the crowd. Everyone looked around to see where the gleeful noise was coming from.  “He is here …. He is here” a female voice squeals out.  Standing at the back of the crowd, hidden by a glass panel, was none other than Danny the lead singer from Tribal Law.  He had made ‘a full recovery’ and was watching Four Wheel Drive play their show.

After all that we had been through – that was truly the final blessing!

© Neil_Mach

December 2009

Link:

http://www.myspace.com/4wdtheband

The news item about the collapse of Tribal Law lead singer Danny Adams:

http://www.rockradio.co.uk/rock-news/singer-collapses-on-hard-rock-hell-stage/fzyc3rry/

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Four Wheel Drive, Hard Rock Hell, Prestatyn

Danny - Tribal Law

Outrageous Fortune

Part one – Hard Rock Hell – Prestatyn

Imagine the pressure and the pain . . .  Our plucky high-rollin’ heroes are up in North Wales, Prestatyn to be exact, for the Hard Rock Hell III – for the gig of their lives.  They arrive early morning to find that the official 4WD T-shirt is proudly displayed in the Merch shop alongside shirts for New York  Dolls, Monster Magnet & W.A.S.P. and their concrete barrack-style ‘chalet’ is laden with gallons of booze . . .  it is rock n’ roll time and they are here to play a vast crowd on an immense stage at the biggest winterfest in the known universe. They are chosen ones and this is their moment.

On the official running order for the event the boys are shown on LAST on the Total Rock Radio big stage at 01:45am after ten more bands (on that stage) and after a heavy metal party that started the PREVIOUS AFTERNOON at 5pm.  So the stakes are high and the slots are tight….

During the day the boys wait patiently, gently floating on a sea of anticipation, excitement and nervous anticipation …. They don’t dare drink any of the moonshine in their Spartan chalet – or get involved in any fist fights or other harmful shenanigans because they need to preserve every inch of their energetic verve and spirit for their big moment yet to come.

Around Midnight the Staines’s favourite live band start to prepare religiously for their big show. They even miss seeing Monster Magnet and Sonata Arctica whilst they get ‘into the zone.’

Meanwhile the Total Rock Radio stage is being prepared for West Country southern-rock lads Tribal Law.  Soon enough these fun loving lads are bringing the burgeoning crowd to an effervescent climax with their zingy, zippy mix of twanging guitars and growling bass lines. It is all going so well that the Tribal Law lead guitarist (the Apache Koe Naiche) suggests to the lead vocalist and front-man Danny Adams that they do one more song.  The crowd is by now in a state of frenzy and is hollering for more. Danny doesn’t think so. “Stay around for the next band” he yells to the over excited crowd of rock fans “The next band is Four Wheel Drive and they are gonna blow your mind”.  The crowd erupts in cheers and applause.

Back stage the 4WD team are making their final adjustments to hair and instruments. A whole day of patient preparation and grooming is about to pay dividends.  The Tribal Law lead guitar kisses his turquoise feathers and says to the crowd and his band-mates  “Just one  more….”  Danny agrees, but with some reluctance. They start their final number, a blistering, searing bluesy finale. The crowd is going berserk.

On the final note, of the final chord, of that very final song I watch in horror as Danny, the Tribal Law lead singer suddenly and without any warning, keels over backwards onto the drum stage. He is a big lad and he goes down hard onto the cruel stage-floor. The crowd gasp.  The band chingles to a halt and band-mates Koe, Frazor Clubb and Jaymz Perry stare at the scene in disbelief. A stage manager runs over to Danny who is now laying stationary on the stage floor his head at a nasty angle against the fierce metal edge of the drum stage. I hear several members of the crowd saying “Oh God.”

“Get a medic, dial 999” shouts the stage manager to the security.  Danny is out cold and we fear the worse. He must have suffered severe concussion at a minimum – worse probably – possible life threatening injuries. Paramedics are called but they won’t take the risk of moving him… possible neck or spinal injuries. For a few agonising moments we think we have lost him.

He requires CPR and fast. This is becoming a nightmare.

The consequences of all this are that, by now, our West London Heroes 4WD are now on stage attempting to do a sound check whilst the paramedics are working on Danny. It looks grim.  Then the security decides to empty the arena.  Punters are moved slowly out.  And they are in a solemn mood.  Now all signs of fun and joy have been dashed. We wait in the big corridors outside the venue for about twenty minutes. By now Four Wheel Drive should be playing their hearts out to this big crowd.  Instead we are all waiting here in an eery silence. Another few minutes pass and a supervisor comes out to tell us the news.   The evening is over.  The party is a no-no. Four Wheel Drive are cancelled. The venue is closed. We are all told to go home.  “How is the boy who fell over?” Someone asks.  “I dunno”. Says the supervisor as he scurries off.  Shhhh…..iiiitt!

Visit here SOON for PART TWO of this story ….

If  you cannot wait for Part 2 and you wanna read the review of Four Wheel Drive’s senstational show at Sticky Fungus Staines in the meantime,  click here >>>

© Neil_Mach
December 2009

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Four Wheel Drive – Sticky Fungus, Staines 15 May

4wd_A_DSC_0180_500x

Four Wheel Drive – Sticky Fungus – 15 May 2009

I have seen this band a couple of times in bars and they were kinda underwhelming… but put that frizz and fizz on a big stage like Sticky Fungus, Staines and – KAPOW – Four Wheel Drive are sizzling sensations.

Strongly influenced by the blues of the South with its virile aggression and hard working honest-to-goodness energy, Four Wheel Drive are not really declaring musical independence or even starting their own confederacy… They just wanna have some fun playing some agreeable rock pieces to a smashed audience.

But ‘It’s not what they do, it’s the way that they do it’, that counts. On a damp Friday night in Staines town I am looking for a bag of excitement and passion. I am looking for a bit of boogie and a whole lotta woogie. And boy, this group fired me up like a stick of dynamite. If you, like me, enjoy the concept of sharing a bottle of acid-mash Tennessee liquor whilst hanging out with some unseemly can-can girls in the back-room bar of some sleazy no-good dive on Bourbon Street,  then this band is definitely for you. They put pepper in your pants…

Staines is a long way from Vicksburg, Mississippi and, in our wet world, where we experience fog, flu, fish-cakes, footie, ford fiestas and girls called Fiona we clamor for escapism. We want a dream. A desert. A cactus. A  rattlesnake. And a bit of moonshine. And that is what 4WD The Band provided for us at Sticky Fungus last night.

Distortion fuelled guitars (“Distortia” as  Rihanna would call it, whilst doing that mad thing with her hands) and rolling thunderous drums were the backdrop to Jamie Lailey’s superb ‘Brian Johnson’ style vocals.  Think of that rasping, high-pitched silver shafting energy in AC/DC songs such as  “Whole Lotta Rosie” to get the idea of the sound.   Lithe Ben Austwick and sleek Paddy Achtelik share the guitar duties admirably, and the quality and vitality of their exciting solos is inspirational. And this was truly a theatre of rock …. it was like having two frizzante haired ax wielding acrobats whirling around the stage in a blaze of psychedelic glory. It was like reliving the early days  of Led Zeppelin all over.

The crowd just stood and stared… not in a bad way either… it was through sheer astonishment and wonder. They wanted to focus and to be grateful. Towards the end of the set the Sticky Fungus crowd started to limber up a little but there was still a kinda magic on stage that held the audience in some kind of mysterious hypnotic trance.

The band plays songs like ‘White Lines’ with its chunky chords worn a bit like a hip 1970’s vicar. With thumping bass sound-tracks like those panadol adverts – you know the one with ‘constant throbbing pulsating pain’. And with the twangy southern feel of the muted lead guitars that start to creep into your head and play footsie with your sensitive and vulnerable parts. The band also has Jaggeresque vocals a la Mississippi Delta together with  singsong corn-bread chorus lines – helping to underline that their music is from the Great British southern-rock scrapbook.  Fuzzy-felt lead breaks are satisfying and accomplished … with  ‘sensible’ chugging rhythms from Will Richards on drums (sensible as in your younger sister wears ‘sensible’ shoes when she goes out clubbin’ on a Saturday night)

Other songs are Black Crowes-ish in feel and texture- with accomplished guitar lines i.e. like Black Oak Arkansas or Kentucky Headhunters. Other numbers have funky southern rhythms (and the blues) with yowser vocals similar to ‘Bad Company’ i.e. British Southern rather than ‘proper’ Southern drawl-rock. Other material was staple fare with plenty of classic sounding riffs and sing along verses.

If you are the kind of person who loves Aerosmith, Lynyrd Skynyrd, Bad Company / Free and AC/DC, then you are gonna just lurve this band. When I saw Four Wheel Drive for the first time, a couple of years back, I thought that they were a bit like a musical version of a 1990’s Land-Rover Discovery. You know … the one in blue with nylon trim and chipped paint. It does the job- it gets you to work and back and gets you around town – at times it is fun even, it can keep things movin’ on a long hard day – but it doesn’t really make your heart sing and your jiggly bits shiver with excited anticipation…

But after that totally triumphant concert at Sticky Fungus Staines yesterday evening I have to admit that the band has now become a shiny top of the range Hummer softop with an expensive LA chop-shop paint job, screaming flame decals, roaring afterburner exhausts and decorated by leggy babes wearing cut down denims, cowboy boots and tiny polka-dot bras.

God,  I love  ‘em!

© Neil_Mach
May 2009

Link:

www.myspace.com/4wdtheband

See ’em next at The Red Lion – Formerly Filthy’s- Twickenham May 23 2009

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5 Things – This Week in Staines

1.


Superb Hard Rock – Live inStaines This Week


Land of Cain at Staines


Land of Cain

May 16 2009

Dog & Partridge

Staines



Land of Cain is a four piece rock/metal outfit from West London. Featuring superb guitar work, a pounding rhythm section, progressive strains and thought provoking lyrics the band are becoming
a force to be reckoned with in the UK hard rock scene.

The band started life as “One Bitter Pill” in 2004, with Grant Chambers and Aaron Waddingham in the original line-up, as well as Chris Jones (now of Voodoo Six).

With the departure of Chris in late 2007, Grant and Aaron decided to take the band in a darker and heavier direction, and with the additionof Spencer Dargue on Drums and Chris Jordan on Bass, the band began writing the new material which would later evolve into the songs for their first album
“Collapse the Control”.

The band began recording the album in early 2008 at The Lodge in
Northampton, and hope to be able to release it early in 2009.

Links:

www.myspace.com/landofcain


2. Saxy Lady – Jazz Live at Windsor



Yolanda Brown at Firestation Windsor


YolanDa Brown

May 16 2009

Firestation

Windsor




Think saxophones, and most of us will immediately start thinking
of jazz, specifically trad jazz. No bad thing, maybe, as there are few
instruments as stunning as the saxophone and few sounds as effortlessly
beautiful as jazz. YolanDa Brown is someone who has made the instrument
truly her own as a miraculously gifted saxophonist fluent in a whole
lot more than just one genre.


As her two EPs to date, July 2007’s ‘Finding My Voice’ and
August 2008’s  ‘A Step Closer’ attest to an artist who takes jazz and introduces it to all sorts: to soul, to R&B and gospel, to loping reggae and soaring Latin. She can take a sound at first emotionally raw and incontestably infectious, and make it sound like nothing else on earth. For the past three years she has performed with some of the world’s most respected artists. Selling out venues like London’s Jazz Café at the drop of a
hat and the recipient of a prestigious MOBO Award, YolanDa is in demand
and it is a great privilege that she will be appearing with her band
here at The Firestation for this very special concert.



Upcoming show:


YolanDa Brown Live In Concert


16.05.2009 20.00 h


The Auditorium – Firestation Arts Centre
Windsor




£10(GA) £9(Conc) £8(Mem)



Links:


www.myspace.com/missyolandabrown



http://www.firestationartscentre.com


3. Powerful Indie Rock Covers – Windsor



The Riots at Old Ticket Hall Windsor




The Riots

May 16 2009

Old Ticket Hall

Windsor


THE RIOTS PLAY THEIR LAST GIG AT THE OLD TICKET HALL FOR 2009. We wish them the best in their musical career. The Riots are a
Berkshire based 4 piece band playing up to the minute indie rock covers
by popular names such as Kaiser Chiefs, Razorlight, Arctic Monkeys and
Fratellis as well as a few standards by greats such as Oasis, The
Beatles and The Kinks.

Having built up a collection of toe tapping covers, the band started by
getting their first gig at The Old Ticket Hall in Windsor in 2007. They
have played many gigs since and are currently writing their own
material whilst learning up to the minute covers to keep your ears
smiling

+ DJ PLAYING 80’s &
90’s HITS

– BAR OPEN TILL 2AM

The
Old Ticket Hall Windsor & Eton Riverside Station

5/8/2009 8:00 PM at AXIS

Links:

www.myspace.com/wearetheriotsband

4. Classic Rock Hits – Live at  Hampton


Cry Wolf at Royal Oak, Hampton



Cry Wolf

May 16 2009

Royal Oak

Hampton


Classic Rock Hits


Tom
Farmer (vocals, bass) David Farmer (drums, vocals) Gary Farmer (vocals,
guitar) Pars Evrenos (guitar)… make up the formidable local orginal
material / covers band CRY WOLF.


Described by our ADPONTES reviewer, Neil_Mach,  as heavy, bluesy,
mature and very, very serious – thoroughly recommended”  we
give them a five star rating !


Links:

http://www.crywolfrocks.co.uk/

http://www.blackfootsue.com/


5. Local Favourite Rock Party band  –   Live in Staines



Foulplay- Sticky Fungus Staines


Foulplay

May 15 2009

Sticky Fungus

Staines

w/ Four Wheel Drive – Classic  Rock


Foulplay are one of our favourite bands here in STAINES band mixing old-time rock and roll and skiffle, through to classics from the glam-rock seventies, big numbers from the New Wave of British Heavy Metal and even into modern indie rock territory

May 15, 2009 at 8pm to May 16, 2009 at 2am

Location: Sticky Fungus Music Venue

Street: Elmsleigh Road

City/Town: Staines

Doors open at 8pm. £5 entry. Over 18’s only (ID required)

Links:

www.myspace.com/foulplayuk

www.myspace.com/4wdtheband





Ed Hudson Band

ROYAL OAK HAMPTON
Friday 16th January 2009

Ed Hudson Band

Ed Hudson Band

Hey little thing let me light your candle

Let there be Rock – The Ed Hudson Band

The Ed Hudson Band plays a variety of warm and agreeable country rock sounds with an aggressive blues-rock edge… a bit more alt country than pure blues but ‘fused’ well so the music retains an authentic rock n roll sound. The band  plays as a trio so it is no surprise that the lively set includes covers of tunes from the likes of ZZ Top and Thin Lizzy. Bravely, though, the boys did manage to pull off a successful rendition of ‘Sweet Home Alabama’ which was originally played by a whole ‘backyard’ of teenage friends including a keyboardist.

Ed Hudson looks every inch of a Mississippi swampland good ‘ole boy… raised on a diet of Yazoo catfish gumbo and muddy water blues. But, in fact,  Ed got the musical bug in West Cumbria (back in the good ‘ole U of K) in the 1980’s when he played in a punk band and, later,  a hard rock group called Belfagan.  Ed moved to London town in 1993 and spent years gigging with bands like Panting Skeletons, Good Company, The Flame Tattoo and Three State Blues. By the early 2000’s Ed was recording and touring with the band Red Road co-writing much of their material but failing to get noticed by the industry- even though he was managed by Trinifold (Who,Page and Plant, Judas Priest.)

Red Road never went stellar the way they shoulda, and in 2001 Ed started to sing and play guitar for Bad II The Bone. We are now fortunate to be able to see Ed Hudson and his various side projects near to us somewhere in Middlesex County as he tours the more intimate local venues with his choogling twangy guitar and bluesey improvisations.

When I saw the band (at The Royal Oak, Hampton)  the set-list included “Cocaine”, the song written and recorded by Lynrd
Skynrd songwriter J.J. Cale in 1975 but most widely known in a cover version recorded by Eric Clapton. In this song Ed, wearing his cowboy hat, boots and denim combo, smoothly and soulfully sings out the lyrics (the song is unquestionably anti-drugs) whilst often incorporating simultaneous lead and rhythm parts on his guitar. His bassist and drummer are steadfast and reliable compadres to these living blues- but they never dare to rise in stature to threaten the main man. Ed rules the stage with a gentle hand, though, asking and persuading rather demanding song choices, adjustments to sound and lights, re-tunes etc. He is a compassionate and loyal band-leader and even allows the bass player to vocalise on the Stones delta blues cover “(I Can’t Get No) Satisfaction”.

Free’s ‘Wishing Well’ (later covered by Pearl Jam & Blackfoot) provided ample opportunity for the band to grind up some notches and pull out some raw chords whilst weeping some emotion into their pure RnB sounds. The band also covers Otis
Redding’s “Hard to Handle” but more in the style of the Black Crowes circa 1993 than the original.

Ed has an affection for the British blues scene of the 1960-70s, and the set included numbers from the Free, Eric Clapton and the Stones song-book but he also adds some welcome heavy metal touches, with songs like Deep Purple’s ‘Black Knight’, to keep the punters roaring for more.

Wearing a ‘Four Wheel Drive’ T-shirt (keeping local new music alive and well in Middlesex) our blues rock hero can jam hard with the best of ‘em. For a night of raw-edged insight and clear blue sky ballsy balladeering, this band is not to be missed.

So you and I are lucky, because the Ed Hudson Band is also one of the hardest working acts in the business, with plenty of dates in the near future at venues near you!


© Neil_Mach
JAN 2009