Category Archives: Riverside

Staines Amateur Regatta 2015

Together with the two major events of rowing: The Boat Race and Henley Royal Regatta — the River Thames also hosts several other
minor competitions on the water. These are known as Regattas. One of these race-days is held in Staines-upon-Thames.

Staines Amateur Regatta 2015  - very friendly...
Staines Amateur Regatta 2015 – very friendly…

The very friendly Staines Amateur Regatta is held every July at the Silvery Sands, near Wheatsheaf Lane, Staines.

The race covers a distance of 500 meters downstream (from near the St Peter’s church.) Staines Boat Club members act as volunteers, running this popular event.

The first race was held in Victorian Staines in 1851 a year before Staines Boat Club was formed. Then, the Staines Club was based at the Swan Hotel in the Hythe Boathouse (according to Charles Dickens, Jr.)

A second Staines club — the Burway Rowing Club — was formed in  1920 (originally called the Staines Town Rowing Club  the name was changed  to avoid confusion with the older club.) In those days the members of the ‘Burway’ rowed from Tims boatyard which was opposite Church Island near the Lammas in Staines.  In 1935 Tims moved and so the club found a new home near the Anglers Rest, in Egham.

In 1946 the club moved again to their Laleham boathouse.
Their current HQ at Laleham Park has been in use since 1979.

A glimpse of the prizes at Staines Amateur Regatta...
A glimpse of the prizes at Staines Amateur Regatta…

The races at the Staines Amateur Regatta
include: Fours, Doubles, Pairs, Singles plus Para-Rowing Events and Mixed Crews and a special Fastest Sculler Award .

There’s also a salver prize for the fastest open and fastest women’s scullers. Winners of the other events receive pint mugs.

Words & Pictures : @neilmach 2015 ©
Links: http://www.stainesregatta.com
http://www.stainesboatclub.co.uk/
http://www.burwayrowingclub.co.uk/

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‘One for The Road’ live at The Staines Riverside Club – JAN19 2012

Five piece ‘Southern Fried Country Rock Band’ ONE FOR THE ROAD played a jam-packed jambalaya of a gig at the fine RIVERSIDE CLUB venue in Laleham Road Staines on Thursday January 19 2012.

This popular venue has attracted some amazing musical talent on their regular Thursday music nights, and this bluesey rocky band were no exception. Full of gusto, energy and promise from the outset, the band stormed through a lively first set with sparkling examples of some classic hits from the likes of Tom Petty, Primal Scream, The Rolling Stones, Creedence Clearwater Revival and a dash of Johnny Cash. Also scattered in there were some more unlikely namechecks like, for example, Kentucky Headhunters.

Our guide for this journey around Americana and all things Southern, from Navajo Territory to swamp country, was the amiable gravel-throated ‘Kid Rock’  lookalike Keith Beasley (lead vocals and guitar) wearing his ‘Baptized in Muddy Waters’ T shirt and sporting a tortoise-brown rather dapper hat. But the band also boasted the rawest, smokiest blues-harp player this side of the cotton belt, and one mean rattlesnake on drums, plus a fierce lead guitar player and a bruising, bouncing bass. This is a quality act.

The second set brought the delighted Staines crowd some solid golden nuggets of sound, covering numbers by the likes of The Traveling Wilburys, Kid Rock and even finishing with some antic-filled punk – The Undertones “Teenage Kicks”.

And all the way through the show, you could almost smell the shrimp on the barbecue and taste the smoky bourbon on the air.  At one point both Adrian and Kenny played joyful King Biscuit blues harmonica together- this was a terrific moment-  ( “Stone Fox Chase”). A rootin’ tootin’  howlin’ success.

My personal favourite was the band’s self penned ‘You Can Steal’ song which had a gruff attitude (comparisons with Dylan were formed) and rusty, dusty percussion. Tobacco stained, rubenesque (fat and delicious) guitars meander and burst out of their corsets. Huge surly riffs mingle and mix, with a great chorus which has raise-your-knees-and-jig danceability written all over it. A true Southern delight.

If you get a chance to see this act live, grab it. Don’t forget your ‘gator skin shoes and your flask of moonshine though…. ‘cos you’ll make a night of it!

© Neil_Mach January 2012

Link:

http://www.myspace.com/430081663

The WonderYears Senior Rock Chorus

After seeing the amazing WonderYears rock chorus rehearsing at their ‘headquarters’ in Virginia Water, and after listening to the warm praise and unabashed acclaim for their enthusiastic and memorable live shows, I was very keen to meet the dynamic personality behind the WonderYears – The Senior Rock Chorus and Band. So on Monday I met the founder and esteemed musical director of the project, Dave Thomas.  Dave is a modest man, warm and confident. He is clearly passionate about his creation, and he cares deeply about every single member of his troop, acting like a rock n roll pastor to his flock.

From the outset, Dave stressed that the WonderYears are not a choir, but, to be precise, a chorus.  “We don’t harmonize – we concentrate on musicianship, live performance and self-expression. Our performances are always energetic and entertaining “ He tells me.  “So the chorus embraces the true values of rock music?” I ask.  “Exactly” he tells me. “And it is important to explain that our four-piece band is an integral part of our overall sound – they are the engine room for our performance and they distinguish us from groups like the Rock Choir, who tend to use backing tapes”. The 24 members of the chorus- comprising of 14 ladies and 10 men – plus 4 in the band, and the sound people,  are all ‘Seniors’. “The average age of the chorus is 70” says Dave “and the oldest member is 86 – we are the UK’s only seniors rock chorus and band.”

Keen ‘Radio 1’ and ‘Magic FM’ listener Dave sang in choirs in his childhood and later turned to opera. He got the inspiration for The WonderYears from the 2008 documentary film ‘Young@Heart’ by Stephen Walker. The documentary focuses on a New England based choir who take up singing the old classics and contemporary rock and pop songs together. So Dave placed an advert locally, inviting older people from the Surrey community to help form a Seniors Chorus and to be prepared to leave their comfort zones- and to become excited by the world of rock music.

Dave says he is a ‘supporter’ and ‘motivator’ rather than a conductor. And members of the chorus agree, saying that they feel thrilled and energised by his ever increasing levels of enthusiasm and verve. Audiences report that the feel good factor ‘overcomes you’ when you attend a  WonderYears concert  – and they say that an evening spent with WonderYears is every bit as good for you as a night out seeing a West End show like Mama Mia!

“Are there any consequences or unusual complications in the management and operation of a choral group comprising of seniors – rather than ‘young’ performers?” I was keen to know. Dave is kind about his team, and he raves about their individual talents. He is generous about the contributions that each individual makes to the overall sound, but he admits that there have been some small difficulties to overcome, and that the project is still evolving. “For example, I realized early on that I need to split up the choruses and the solo parts – in order that the songs become memorable and easier to learn and to master ….  As you get older, it’s harder to remember things – especially lyrics – and so we tend to break down the songs into more manageable pieces. And we also tend to choose songs with ‘proper’  and ‘appropriate’ lyrics  for our later years. Nothing too suggestive or too muddy”.  The group have, in the past, rejected some songs, because, perhaps, they are too cloying in a sentimental way – or because they are distressing for the older singers to perform. “Where have all the Good Times Gone” by the Kinks and “Dance with My Father” by Luther Vandross were two numbers that proved unpopular with the chorus members.

But the words of some well known rock songs often have surprising connotations or take on fun new meanings and special significance when performed by older singers. Take for example The Who’s  “My Generation” or “I Wanna Be Sedated” by The Ramones.

Although he admits to loving the ‘big hair’ rockers of the 1980’s  such as a ‘Journey’, Dave also ensures that the WonderYears Chorus address some rock pieces with rougher edges, including a good dose of punk. “Our most popular number is the Killers song  “Human “.

“In addition, we always get a great reaction from ’Should I Stay or Should I Go.’  “Burt (aged 86) does an astonishing solo on “Let the Good Times Roll” and Tom does equally well on the Stones number “Jumpin’ Jack Flash”. Other audience favourites include the Bee Gees hit “Stayin’ Alive” (another song that reveals new meanings when performed by a group of seventy something seniors) and “It’s My Life” Bon Jovi. “I ain’t gonna be just a face in the crowd. You’re gonna hear my voice, when I shout it out loud….”

Dave admits that he receives a lot of stick for the constant introduction of new songs to the group. “But I need to keep feeling that our Chorus is refreshed and rejuvenated” He says, “We must keep our energy flowing.”

Exciting times are ahead for the Surrey based outfit. Guilfest has invited them to come back to perform after a great success last year. They are also scheduled to perform at the Wokingham Food and Drink Festival. They even registered for this years Glastonbury festival. “Who would you like to share the top of the bill with – if your dreams come true?” I asked, “Bon Jovi” says Dave, without pausing, and with a glint in his eye.

“But it is always a great honor to play live music to any audience, anytime, supporting any performer.  Obviously, we want to ‘go all the way’ and play all the big venues and all the big festivals. But we also realize that we owe our local community a huge debt of gratitude for the support they give us. For example, we owe Christ Church, the community church of Virginia Water – a great big thanks for allowing us to practice there every week. We are not a church choir and we have no ties to the church, but they allow us to practice in their area and that is very precious to us. Every year we do a benefit concert to thank the church. We will never forget our local community and the warm support that our neighbours give us.”

“Twenty-four singers is an ideal size to provide the power and emotion that our songs require.” says Dave. “Only once, when we took the Chorus to County Sound Radio (to do a live broadcast), did we did experience a little ‘difficulty’. We discovered it was a bit of a  ‘squeeze’ to fit us all in. And then we could not hear our music properly, the sound was coming through the cans. We have a reliance on our live sound for the rhythm and structure. But because we couldn’t hear our live band sound, it all went a bit wonky!”

Dave says that it involves a lot of hidden costs and logistical support to take the band plus 24 singers and sound engineers onto the road. The WonderYears are currently looking for a sponsor to help with expenses. Currently the choir is self funded – the members pay a regular subscription. But there is no shortage of new volunteers. “We currently have 8 women and 3 men on our ‘wait list’ – but we keep our choir at the optimal size.”

“Our audiences range in age from grandchildren to great grandparents. Our songs appeal to everyone.” says the official WonderYears publicity officer, Maureen Grogan. “Just because we qualify for a bus pass, it does not mean that we are over the hill”.  She smiles. “Last year we developed a very popular Christmas show and we did several performances of it. But in the end we had to turn down requests to perform it because everyone wanted it!   We are becoming a big success.”

“We have performed at the Hackney Empire and we were in the windows for the Phones 4 U (ad) so we are now getting the recognition we deserve.”  But Dave is quick to point out that committing to about eight concerts a year is ‘right’ for the Chorus. “We are working on 24 numbers for our 2011 our show- and 19 songs are brand new for this season – so each song so has to be learnt and rehearsed.”  He says. “We rehearse each week and expect all of our members to attend all rehearsals. Eight big performances a year is quite an ambitious goal for us.”

Founder and Musical Director of the WonderYears, Dave Thomas was talking to Neil Mach

© Neil Mach 2011

Link:

http://www.wonderyearsrock.com/

The WonderYears will be performing alongside PUBLIC IMAGE LIMITED and others on the GOOD TIME GUIDE STAGE on 17th JULY at GUILFEST 2011

Wokingham Food & Drinks Festival Saturday 27th August

The SkaSouls live at the Riverside Club, Staines

Knees up, trumpets down, shades on – let’s skavoovie!

After their phenomenal success, playing the hottest gig of the year, at The Hobgoblin, Staines last week – the SkaSouls went on to sell out the Staines Riverside Club on 17th Feb as well ( A charity performance in aid of the Joshua Deller Appeal).  We went along to find out what all the fuss was about.

On the glittery stage were six venerable musicians who all share a wide ranging musical ability, and each possesses the kind of musical experience and prowess that other bands merely fantasize about. Playing in various bands on the local and National scene before embarking on this Ska-shaped project back in the Summer of last year, these boys have since enjoyed a growing popularity as this town’s favourite 2-tone party band. And they already possess an enviable reputation for playing those authentically sweet Jamaican-style grooves and sweaty urban ska standards that you and I loved in the 80s – with covers of all your favourite songs from bands like  ‘The Specials’,  ‘Bad Manners’ and ‘Madness’.

After a raucous start at this Riverside venue, the band thundered and roared into their set like a Louisiana rainstorm – stopping for nothing – as they pelted out hit after hit. A large space was kept free to dance, and by the second song the audience was already up and dancing to the vibes. This band is wild. Those skutter-bus salt-chip shavings of sound soon start to set your world on fire.

Early numbers included ‘My Girl Lollipop’ (attributed to ‘Bad Manners’) but originally a doo-wop number for The Cadillacs’s before becoming a phenomenal hit for ‘Millie Small’ back in 1964 (as My Boy Lollipop). This song came alive with groovy flares of trumpet from Nick and thumping bass from Huw. But during the set we were also delectably teased with some delightful surprises like Chuck Berry’s  “You Never Can Tell”  or  Dexys Midnight Runners tribute to ram-jam Soul-Man Geno Washington “Geno”, upon which lead vocalist Lee sounds like vintage David Essex (in a good way, I must emphasise.)

But it is on the big tribal classix like “Gangsters” that this band really thrives and the audience becomes visibly alive.

This is two-tone heaven as the twin horns ( Nick on Trumpet and Allan on Trombone) flame and rip into your soul, the chuttering guitars frizzle your senses, the walkabout bass-lines juggle your brain and the ka-ching percussion rattles your emotions. And even creepy sound effects for songs like “Ghost Town” sound as genuinely disturbing, gritty and as ghoulish as you would expect.

Then we shoed-off for a skank doing the “Pressure Drop” (The Trojan-shaped hit from  Toots and the Maytals). This song and others in the SkaSouls repertoire feature those great wallowing Belushi-sized vocals from Lee and some impressive backing vocals from the other band members. Plus lumbering great chunks of trumpet and trombone and golden nuggets of pound-for-pound bass. Then we enjoyed “The Guns of Navarone” which was originally performed by ‘The Skatalites’ and later covered by ‘The Specials’. This tune was a thumping great success from beginning to end. And the amazing lead guitar from Ben shines out on this and other songs.

After an interval, to catch our breaths, the band raced into those endearing and catchy ska-pop standards we all loved – “Baggy Trousers” (Madnesss) and Lee Thompson’s tribute to Prince Buster “The Prince” – from which “Madness” took their name. And the incredibly structured “Night Boat to Cairo” (this song used to be a bit of an anthem for Lee’s much-loved old party band – FoulPlay.)

And in the final flourish we also enjoyed a thriving “Shame & Scandal” that started life as a hit for Lance Percival (of all people) before becoming an early ska-hit for Peter Tosh with the Skatalites – before being ‘re-born’ by ‘Madness’ during the new wave of British ska. And, of-course, we had the classic and superbly syncopated song “Israelites” (1969 Desmond Dekker.)

It was just a case of getting your knees up, trumpets down, shades on and skiffling and skadoodling the night away. Sheer bliss!

This is Lee Ridley’s dream outfit of a band, the vision he had wanted to create for years, but who would have thought that it could ever percolate into something as refreshing and uplifting as this?  Welcome to the chapel of living rhythm and holy beat ‘cos these madcap skasters are here to jump-start your weekend.  Do not take your eyes off this band …. and catch ‘em live as soon as you possibly can.

© Neil_Mach
February 2011

This concert was a charity show for the Joshua Deller Appeal – the event raised over £1200 for little Joshclick here to donate too

Band Link:

http://www.skasouls.com/

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Kindred Spirit at Staines Riverside Club

What can be better than sharing a well drawn pint or two with some like-minded friends, whilst listening to a quality live performance from some of the finest musicians in the business? The Riverside Club in Staines has been attracting some of the big names from the music world to its humble riverside home of late. Last Thursday the club welcomed through the doors the undeniable talent of locally based folk-rock band Kindred Spirit. Folk-Rock is experiencing something of a renaissance recently – Fairport Convention and Pentangle are still with us charming the audiences…  and now we have a new generation of groups like Mumford & Sons and Midlake to take us up to the next level, and some exciting and experimenting bands like Fleet Foxes, to reassure us the genre is far from dead.

Kindred Spirit (playing as a three piece at Staines Riverside Club) have those lush harmonies and emotional power  that you come to expect from this kind of group. The violin from Gavin Jones is exuberant and fresh and the feverish pipes and flute (and sax) from Annie Parker leaves you tingling inside. Across this chiming, piping-hot, spiky landscape comes the lush and gently unassuming vocals of Elaine Samuels, whose voice is reminiscent of the late Sandy Denny.

The first half of the set (before the club’s obligatory raffle) was vaguely ‘horse related’ and the second half was  ‘sea travel’  related. I do not know if this was planned or a happy accident. So, in the first half, we had such traditional-sounding delights as ‘The Galway Farmer’ (Devon folk duo ‘Show of Hands’ – 1992) with those scuffed and skiffling fiddles and ne’er-do-well jaunty pipes. And “A Horse with No Name” (‘America’ 1972) with those esoteric chords and the haunting sense of loss along with reverberant regret. In here too were some ambitious songs like Pink Floyd’s ‘Wish You Were Here’ with some extremely enjoyable woven interplay from Annie and Gavin and Elaine’s voice perched high above – as teasing as a wood lark.

The second half incorporated plenty of sea-wall imagery. A perfect rendition of “Martha’s Harbour” (‘All About Eve’ – 1988) depicted the agony of waiting by the waves for a true love to return from across the churning sea. But this song was somewhat diminished by Kindred Spirit’s own composition “I’ll Always Love You” (from the “Dance of Life” album). This song reminded  me of Fleetwood Mac circa 1977 (the band often plays ‘The Chain’ to great applause at gigs,) but once it started, it settled down to a lustrous and emotive folk-rock ballad. Annie’s flute was like a sea-bird fluttering in the sea-breeze, but the power and surge of the fiddle was like the sea-spray fiercely spitting into your face. Luckily, Elaine’s deliciously smooth vocals took you back to an altogether warmer, more friendly and infinitely more welcoming place.  This was, for me, the high point of the evening.

Kindred Spirit’s own songs are full of mystery and magic. Their compositions are sometimes as haunting as a cold-dread phantom and at other times as fleet footed as a mountain gazelle. The clear articulation of Elaine’s vocals over and above the elaborate and intricate solos from Gavin and Annie, often leave you on the edge of your seat with excitement.

“Lady Eleanor” (Lindisfarne) started with an intro that reminded me of a (little slower) “Long Train Runnin “  (Doobie Brothers.) The original version had a more mystical East feel to it. The song immediately embarks upon a magical journey brought alive by the mysterious and foggy delights of Elaine’s silken, breathy vocals.

Lola (Kinks) was another popular cover.  Full of teasing and almost giggling violin and flute. Annie and Gavin provided quirky backing vocals. On the original song Ray Davies played a steel bodied resonator-type guitar on this track… which gives the song more pinch, pluck and plonk – the Kindred Spirit version is more whimsical lyrically and smoother instrumentally, with a much softer guitar sound from Elaine.

Finishing off the show with an exuberant version of Van Morrison’s “Brown Eyed Girl”, the audience was left stunned by a performance which was both truly refreshing and full of vigorous energy. An amazing evening.

You can see Kindred Spirit play with Blue Onyx (The Moody Blues Tribute Band) at The Leatherhead Theatre on Saturday 4 December. Or check their website for more local concerts. See links below.

© Neil_Mach
October 2010

http://www.elainesamuels.co.uk/

http://www.the-theatre.org

http://www.myspace.com/kindredspiritukband

The Eldon Arms        Reading        Sat 30 Oct
The Royal Oak         Berkshire     Sat 20 Nov
Leatherhead Theatre                    Sat 4 Dec

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Roland Chadwick – Staines Riverside Club

The humble Staines Riverside Club has gradually emerged, quietly yet earnestly, as an interesting and valuable local music venue over the last few years – with regular live music slots – along with plenty of other cultural activities.  As a result of a lot of hard work from some of the music-loving club members , the venue has been able to entice some formidable artistic talent to their tinsel fringed stage in recent months – such as Papa George, Big Jim Sullivan and the Good Old Boys. Last Thursday night the club opened their Thameside doors to welcome in the gifted Australian guitarist and composer Roland Chadwick.  Roland’s career has spanned from the blues to world music and then to pop, and he has been hailed as a ‘guitarist’s guitarist’ by the likes of John Renbourn and Tommy Emmanuel. He has recorded and worked with the likes of Steve Vai, Barriemore Barlow (Jethro Tull),  Mike Lindup (Level 42) and Alan Glen, (The Yardbirds.) He has also been greatly praised for his work with the English Chamber Orchestra.

Starting off a two-part set with some rootsy blues guitar work, the quixotic and, frankly, Van Dyckesque musician and his resonator guitar seemed comfortably at home in front of the relaxed Staines audience. Technically brilliant, he is also emotionally inspirational and possesses an unerring instinct to tease the sounds out of the twanging strings. The sights, smells and the sensations of the Delta come alive with his sublime use of bottle-neck and picking. But much of his blues derived material has a loftier and even classical guitar ‘edge’ to it, and is played with an observant nod towards the Spanish ancestry of his instrument. His voice is high and sweet, and has a sad quality to it. Sometimes these high notes are extended to falsetto- reminding the listener of bluegrass yodeling.

The more rounded, and probably the most commercially viable piece in this portion of the set, was Chadwick’s own song ‘Valentina’ during which he plays the guitar with such speed and melodic tone that it almost sounds like a mandolin. The tune is heart-achingly beautiful and has an emotional dimension that reminded me of the Led Zeppelin song “Thank You” (off their 1969 album Led Zeppelin II containing the lyric … “Little drops of rain”.)

Other highlights of the performance included an even handed yet thrilling version of  “Come Together” (The Beatles – Bluesman Muddy Waters is mentioned in this song) and an exciting version of “Jumpin’ Jack Flash” the Delta blues number Written by Mick Jagger and Keith Richards.

In the second half Roland Chadwick introduced the audience to Nick Linnick, a young ‘student’ guitarist of his acquaintance. Nick is a prodigious talent in his own right and his youthful and relentlessly high quality guitar-play is delivered at formidable speed. Balanced with an eloquent style, and in terms of talent, it was often hard to separate the master from the apprentice. This  half of the set was dominated by jazz numbers including some standards like “Ain’t No Sunshine” but also included some more demanding improvised work. The guitar duo created seductively mellow colours, often given backdrops of brooding and melancholy chords, and punctuated by vivid fluidity. A lighter moment was a show tune from ‘The Sound of Music’ but the most memorable number was the blues standard “Hoochie Coochie Man” ( written by Willie Dixon and first performed by Muddy Waters in 1954.)  When played by the duelling guitars, this song became a poignant melange of swampy, smoky delta blues laced with enough exhilarating xampany to evoke an exhilarating and dazzling percussive flamenco style. Chadwick’s nimble fingers picked and plucked the strings with astonishing speed – trickier and nippier than a ferret in a trap.

Roland Chadwick is class act and provides a hot evening of fun.  And he got the mojo too!

© Neil_Mach
September 2010

Link:

http://www.myspace.com/rolandchadwick

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Hanging Tree Band – Staines Riverside Club

Fire on the mountain, run boys run…

After a clunky start the Hanging Tree Band settled down to provide a generous concert in ‘three halves’ at the Riverside Club, Staines. For those with a keen ear for bariolage and a predilection for folk and rebel songs, this concert was a treat. For those who just enjoy a toe-tapping evening and a jubilant jig,  this was a joy.

The HTB is a duo. Gangling, lanky ‘front man’ Francis MacNamara simply amazes with the violin and provides most of the voice. He also pulls out some whistles for a couple of songs.  Daffydd Tavinor seated throughout, plays guitar and sings too.  But above all, he provides the percussive element, with hits, punches and chops on guitar – performed like a flamenco player-  and he also thrums a djambe drum or taps a tambo from time-to-time.

The two singers are balanced, and although not surprisingly good, however, are ready and effective in their delivery. (Although, to be fair, the sound quality of their vocals may have had more to do with the poor microphones they were using on the night rather than limitations with their vocal ability.)  For comparisons think ‘The Pogues’ mixed with the ‘Foggy Mountain Boys’. Abundant lyrical melodies and purposeful harmonies provided a fresh and lively show.

Standard fayre included crowd pleasers like “Whiskey in the Jar” and “The Irish Rover”, but the band often amazed the happy crowd with sensitive and riveting versions of songs like “Paint It, Black” (The Rolling Stones) and “Eleanor Rigby” (The Beatles). They even performed their own hummable version of “Jolene” (Dolly Parton) – sung by Daffydd.

Throughout the concert, Francis provided convincing and blazing violin. From pulsating vibrato to wistful harmonics, his ‘rate of attack’ can be alarmingly fast (jigs) and yet at other times eloquently drawn out (ballads), with plenty of show-off shuffles along the way. Obviously, he could perform fiddle attacks on songs like “The Devil Went Down to Georgia”  (Charlie Daniels Band)  but was also highly entertaining in songs like “Ring of Fire” (Johnny Cash) where the violin sensually entwines and weaves around the guitar, illuminating the melody. Striking fluctuations in tempo were often achieved and HTB were equally at home in the jazz/light pop world as they were in folk/country territory. For example, “Ain’t No Sunshine” (Bill Withers) allowed the duo to  show off their sensitive side and create some catchy and complex textures.

A thoroughly enjoyable performance, and I hope these boys find time to ‘Hang Out’ in Staines again soon!

© Neil_Mach
August 2010

Link:

www.myspace.com/hangingtreeband

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