Category Archives: live music staines

Rocking Hippie Party in Shepperton — LAUGHING STOCK FESTIVAL

The wonderful Jagger family of Shepperton again organized a super fun-packed day of music, peace and love in the Laughing Waters this weekend.

Remarkably, the sun managed to shine for the afternoon…

The wonderful Jagger family of Shepperton organized a super fun-packed day of music, peace & love…

The first LAUGHING STOCK FESTIVAL was held in 2005, when the Jagger family invited a few friends for a summer picnic by the river.

The event has grown over the years and raises funds for charities such as the Diabetes Society, Multiple Sclerosis Society, Eagle Radio Trust and Woking and Sam Beare Hospice.

The Woking and Sam Beare Hospice provides inpatient and community care to approximately 1,400 patients each year. They looked after Linda Jagger’s dad when he got very sick.

The hospice hopes to raise an additional £1.9m to deliver a new hospice service in the heart of Surrey that will be support generations to come.

JJ band – squelchy blues and authentic rhythm and blues…

The party started with some chilled sounds from Heids with acoustic support from the Jagger family’s own function & party outfit — the JJ BAND.

They also played a gladdening and cheerful full-electric set later in the day.

The full band comprises of Linda and Heidi on vocals, JJ and Al on guitars and with Byron and Tim providing the powerhouse bass and drums.

The outfit plays squelchy blues and authentic rhythm and blues, plus breathtaking soul and crackling pop. You can check them out at The Red Lion, Shepperton on Sunday 27th August.

Rifftakers – street-rock boogaloos…

Next up were THE RIFFTAKERS who play their own rhythm and blues brand in the tradition of The Rolling Stones and Yardbirds.

With fuzzy guitars, dynamic beats and party vibes, their street-rock boogaloos, accelerated rhythms and energetic performances provided the motivating force of the afternoon and soon the revelers rose from ground-sheets and picnic chairs to dance in unison.

Next was the super-smooth and super-efficient 8-piece GROOVELINE offering jazz, acid jazz, soul and disco  and who played a swish and dishy collection of funky hits culminating in the wonderful “Blame It on the Boogie” — got to be everyone’s favourite uptempo party-time number.

Grooveline – swish and dishy…

It was Grooveline singer Amy Nicholls’ last appearance with the band (for a while, any-ways) and bass-player Adam was taken sick [we wish him an early recovery] so he was replaced “last minute.”

After a very successful auction and raffle the three-piece roots band MANTIC MUDDLERS, from Petersfield, Hampshire, played some home-style, unfussy blue-grass and rhythm & soul numbers with exuberance and joy.

The lads will be playing the Victorious Festival in Portsmouth on 25th August. You should check them out…

The festival welcomed back the immensely talented local 5-piece rock-reggae band TREE HOUSE FIRE.

Tree House Fire – sonic damage deep down in your Mondongos —

This band are always a big hit, with bouncy, boom-boom songs and a bass line that walks impulsively down-the-line.

At Shepperton they delivered their lumpy, low-noted ditties, intrepid vocals and giddy-paced rhythms with verve and panache.

As we said before, this band causes, “sonic damage deep down in your Mondongos —”

We’ve often thought that experiencing the !DAFT!  cover band is as pleasurable as playing on a kids bouncy-castle wearing nothing but clotted cream…

Their hi-energy rock-covers are salacious & stimulating and at Shepperton the band played an unrestrained, rip-roaringly successful set that magnificently complemented  all the high-jinks and romping frolics at Laughing Water.

!Daft! — a celebratory mix of modern garage rock, post-punk and guitar pop rock…

Their delivery and execution was superb. No wonder they are  justifiably known as the best party band on the circuit.

Their celebratory mix of modern garage rock, post-punk and guitar pop rock is influenced by mid-1980s indie bands — but they easily and successfully turn their hands to garage rock, rock ‘n’ roll and even country when the time is right. And the band’s instinctive ability to “read the crowd” and recognize what is best to keep an audience on their feet is the hallmark of their success.

This was another gleeful and jubilant affair at Laughing Stock

A day of beads and feathers, flower power and gentle people — and, of course, lots ‘n’ lots of love.

LAUGHING STOCK FESTIVAL

Words & Images by @neilmach 2017 ©

Mantic Muddlers – exuberance and joy…

STACEY CRONIN + Asylum Affair at Staines Riverside Club

It’s been a while since the “Harlech Hurricane” sashayed her stuff on the Staines stage, accompanied by her conspicuously talented bandmates.

But this week we again enjoyed the power and potency of Asylum Affair with Stacey Cronin on lead vocals as they played their evocative power-ballads to an eager crowd at Staines pre-eminent music venue, the Riverside Club.

The line-up included John Lawrence (guitar) Gar Lando (drums) Colin Payne (bass guitar) and “the claw”     aka Mark ‘Wilko’ Wilkinson who recently “broke his arm” so couldn’t provide us with any sax on the evening but nevertheless still wizzed the keyboards.

The eighties make you feel nostalgic just thinking about them — and the charm of songs from that era live on in our hearts. Who does not love Belinda Carlisle, Whitesnake, Foreigner and The Bangles?

Songs are accompanied by sensitive organ ripples, flexible bass waves and foamy ridges of guitar…@neilmach 2017 ©

So Stacey sings lusty songs about breaking up and/or uncontrollable longing and all her hearty canzones are  accompanied by sensitive organ ripples, flexible bass waves and foamy ridges of guitar.

Some songs have been removed from the set-list since the last time we saw the band play in Staines…

However many of our favorites, such as “Love Is a Battlefield” (Holly Knight with Mike Chapman and made famous by Pat Benatar) have survived the cull and demonstrate the extraordinary power and finesse of Stacey. She has a distinctively soft, warm and raspy voice of sandalwood & bourbon whiskey.

A new number is “Stop!” the Sam Brown song (Brown, Sutton, and Brody 1988) brought with it with layers of sentiment. This was overwrought, almost highly-strung — and had a sense of neurosis surrounding it. The performance at Staines was so frenzied and nuanced that it left Stacey exhausted. She collapsed in a corner to recover while the band played a musical number.

Their old bossa nova piece “Parisienne Walkways” has been replaced with another number that allows the band to show off their expertise and effectiveness. It’s been traded for the funkier “Let’s Dance” (Bowie, 1983) with John pulling-off the Stevie Ray Vaughan solo at the end with flair and confidence.

the band showed off their expertise and effectiveness…
Here John Lawrence w Colin Payne @neilmach 2017 ©

Soon after “Alone” – the ‘Heart’ chart hit – written by Billy Steinberg and Tom Kelly – Stacey announced that “We’ll play the ‘other’ Heart song too…” — thus neatly summarizing the Wilson sisters career.

So the band lunged into the next head rush song with enthusiasm. We were reminded of the low tones of Grace Slick (perhaps not surprising, since the Starship’s trooper was known for contributing to Heart’s recordings) and also the flavor of Steve Nicks

Never Tear Us Apart” (INXS 1988) was another superlative addition to the repertoire, with drama and passion in each corner and layer-upon-layer of ritzy synth.

Stacey Cronin and Asylum Affair at Staines Riverside Club @neilmach 2017 ©

Perhaps most enjoyed were the Fleetwood Mac songs, and especially “The Chain” from Rumours (1977) with its well-known instrumental section associated with Formula One.   And “Rhiannon” a first-half closer — taken from the predecessor album, Fleetwood Mac (1975.)

Purple Rain” (Prince, 1984) in the second half – also gave room for John’s extended solo.

And this time the ‘Giant of the Bass’ Colin stayed in his seat (he’s still recovering from a medical procedure, we wish him a full recovery) but managed to provide undoubted fervour and gusto to the rhythms along with the über-talented Gar Lando on drums.

This was a dazzling and magnificent concert with Stacey as radiant and charming as always and the band playing at its very best.

Intoxication and rhapsody in every heartbeat.

Words & Images: @neilmach 2017 ©
Link: https://www.facebook.com/asylumaffair/

MOODY MAAS + GLEN — Live in Staines

This week MOODY, MAAS and GLEN played a tasty selection of emotionally soul-stirring songs from their recent album Black & Chrome live in Staines, Surrey.

We went along to see.

Black & Chrome – Ali Maas & Micky Moody

The collaboration of Ali Maas and Micky Moody started in 2014 as a songwriting project that quickly developed into some excellent album work. Another album is on the way.

Their musical union results from a shared admiration for blues, soul, Americana, palpitating rhythms and captivating melodies.

Aside from his well-documented time with Whitesnake, Micky Moody was also a member of Juicy Lucy, Roger Chapman and the Shortlist, Snakecharmer and others.

Ali Maas was lead singer and writer for critically acclaimed band McQueen.

Their highly accomplished studio band comprised of a group of luminous musicians that included the amazing drummer Jimmy Copley, who sadly died this month.

The British harmonica player Alan Glen — who was a member of Nine Below Zero (1991-1995) as well as The Yardbirds — was also involved.

Their pruned-back live-show boasts that same trio — Moody, Maas and Glen. We saw their concert at the Staines Riverside Club on May 18th. Other dates have also been announced.

Ali Maas- Frequent cloud-bursting highs…

Ali Maas took centre stage at the Riverside, with the master-musicians at the flank.

Her vocal style was reminiscent of Alannah Myles with many velvety, sorrowful layers and frequent cloud-bursting highs. The light accompaniment from Moody & Glen reminded us of stripped-back Fleetwood Mac.

Moody, who told the audience he suffered from bad back, “caused by a dishwasher incident...” created delicate and fanciful guitar notes.

In particular, his slide guitar-work was skilful. And even though there was no drummer on stage, he frequently provided percussion through clever touches and slaps of the guitar body and picking the strings.

Glen played electric rhythm guitar for the most part, often adding rich and expressive lyrical moments to songs with his blues harp or providing intense emotions via those howling solos.

The show began with the magnificently melancholic “A Change In Everything” with thoughtful contemplations behind every loose-toned reflection and haunting lyrics like, “Sometimes we are better off alone...”

And then we enjoyed “Woman Be Wise” with those warning words: “Don’t Advertise Your Man…

Ali Maas suggested she suffered from “fried egg” after a cold — although her vocal was rich and satisfying, and did not seem fatigued or overly mucoid. Moody remained perched on his stool for the duration — maybe his back felt a little sore.

Excellent covers included the excellent “In My Girlish Days” [Memphis Minnie] and the syncopated standard “San Francisco Bay Blues” [Jesse Fuller] made famous by Eric Clapton, Bob Dylan and more.

Dusty’s “Son of a Preacher Man” went down particularly well with the Staines crowd. The interpretation by this talented trio was lunar and majestic.

The soft-shoe number “Emotional Powder Keg Blues” was apparently written by Ali when she was going through what she described as a “bunny-boiler phase…

This number had pat-a-cake rhythms and expressive guitar-lines provided by Alan Glen.

Towards the finale we had “Big Mama” Thornton’s 12-bar blues song “Hound Dog” that has been recorded over 250 times and is one of the world’s best ever sellers…

The MOODY, MAAS and GLEN rendition had all the impudence & euphoria we appreciated in the original.

This was a thoroughly pleasurable evening filled with artistry and flair.

Words & Pictures: @neilmach 2017 ©
You can read a recent interview with MAAS & MOODY here: https://rawramp.me/maas-and-moody
Black & Chrome by Ali Maas & Micky Moody ‎is OUT NOW via Armadillo Music
Link: https://www.mickymoody.com

Moody, Maas & Glen – expressive lyrical moments…

STAINES LAMMAS BRASS BAND — Springtime Spectacular

This Sunday the STAINES LAMMAS BRASS BAND hosted a superb “Springtime Spectacular” concert of popular songs at the ancient St Mary’s Church in Staines.

We went along to see the show.

Our favourite was probably Ramin Djawadi’s theme from the HBO’s television series “Game of Thrones…”

 

 

 

 

 

 

 

 

After an excellent introduction — “The March of the Peers” [ by Arthur Sullivan, from Iolanthe] with skilfully interpreted passages and perfectly controlled rhythms, the band was presented by the experienced musical director conductor / garrulous musical director Lee Woodward who was appointed MD of the Staines Lammas band in 2014.

Lee introduced us next to an overture by Austrian composer Franz von Suppé, “Morning, Noon, and Night in Vienna.” The piece incorporated a pensive solo that overflowed with emotion.

After that, we enjoyed another eloquent solo, this time featuring Steve Burgess [ the principal cornet player.] Steve also plays with Alder Valley brass and the Freedom Brass Quintet. The poignant number was Dvořák’sRusalka’s Song to the Moon.”

This is about a water nymph who falls in love with a prince …” Lee told us before the start. “But, of course this is an opera. So, as you can imagine, it doesn’t end well …

Modern numbers in the entertaining programme included “Baggy Trousers”

Modern numbers in the entertaining programme included “Baggy Trousers” by Madness [arr Alan Fernie.]

And Hans Zimmer’s Pirates of the Caribbean: Dead Man’s Chest.

Our favourite, though, was probably Ramin Djawadi’s theme from the HBO tv series “Game of Thrones.”

The band managed to perfectly convey the expectations of the show, all those dead-reckonings and impressive crownings.

Bohemian Rhapsody” by Freddie Mercury [arr. Darrol Barry] was magnificent and perhaps we don’t entirely realize what an incredible achievement this piece of music this is until it’s heard performed this way.

And just before the interval we enjoyed a little game of “guessing the melody” when the band played “The Lone A-ranger” by Philip R. Buttall.

Many thanks to Staines Lammas Band for offering us a very pleasant afternoon of masterful music. And also thanks to the Reverend and staff at the Church of St Mary’s for making us feel welcome.

The next Staines Lammas Brass Band concert is on Sunday 25th June 11.00 at the Staines Upon Thames Day, Thames Street.

Also see them perform on July 9 at the Staines Lammas Park, at 2 pm.

Words & Pictures: @neilmach 2017 ©
Link: http://www.staineslammasband.co.uk/

THE ALI MAC BAND — Live in Staines

Original Birdman ALI MACKENZIE with his renegade pioneers of rock ‘n’ roll talent — Strawbs drummer Richard Hudson, Glitter Band bassist Bill Phillips, and Renaissance guitarist Simon Bishop — form the ALI MAC BAND.

They play good-time rhythm and blues, replete with soul-thumping harmonies and the tightest musicianship you are ever likely to witness.

We saw their sold-out show this February 16 at the STAINES RIVERSIDE CLUB.

Their perfectly handled recreations included many favorites from the American soft-jazz songbook ( like Little Feat’sWeed, whites and wine…” flavoured ‘Willin‘ ) and teasing blues pieces like Willie Dixon’s provocative “Hoochie Coochie Man” or intelligently voiced soul-hits such as Eddie Floyd & Steve Cropper’sKnock on Wood.”

THE ALI MAC BAND - the tightest musicianship you are ever likely to witness... Photo Credit @neilmach 2017 ©
THE ALI MAC BAND – the tightest musicianship you are ever likely to witness…
Photo Credit @neilmach 2017 ©

In the mid sixties THE BIRDS were the biggest rhythm and blues act in London.

They appeared on TV’s Ready Steady Go and released four hit singles including the Holland-Dozier-Holland number “Leaving Here.”

That Birds song went onto inspire Lemmy’s Motörhead [Leaving Here was their debut single — 1977.]

Famous for their vocal harmonies and exciting live performances THE BIRDS came close to becoming as big as THE WHO.

They first ventured onto the scene in 1964 as The Thunderbirds but decided to change their band-name to The Birds to avoid confusion with Chris Farlowe’s band.

But when “America’s answer to the Beatles” aka the folk rock band THE BYRDS entered the UK Singles Chart with “Mr. Tambourine Man” (1965) the British BIRDS were forced to take action to defend their “trading” name.

Surrounded by an excited buzz of media coverage, the BIRDS manager began to take legal steps to prevent the American upstarts from using their name. But the court favored the Los Angeles “Byrds” and by 1967 the British band had faded.

Ali McKenzie was the original leader of that particular ensemble (voice and harmonica) along with Ronnie Wood (guitar) Tony Munroe (guitars) Kim Gardner (bass) and Pete McDaniels (drums).

At Staines, Ali Mac’s band — understandably — distanced themselves from the compositions of Dylan and McGuinn. Instead they played some lasting rockabilly hits (such as Buddy Holly’s “Not Fade Away” and Big Boy Crudup’s “That’s All Right”. )

With Simon’s effervescent guitar playing, Bill’s adventurous and tight bass and Hud’s precise rhythms, it was a night of class entertainment.

Ali’s remarkable vocal work — his mastery of tension and release — and controlled use of vibrato, was truly astonishing. It’s not often we witness vocal skills of this quality.

Another stunning show at Staines…

Support the RIVERSIDE CLUB and keep LIVE MUSIC alive…

Words & Pictures: Neil Mach 2017 ©
Link: https://www.facebook.com/StainesRiversideClub

PAPA GEORGE and MICKY MOODY — Live in Staines

Award-winning bluesman PAPA GEORGE and legendary guitarist MICKY MOODY played a live concert at the fabulous STAINES RIVERSIDE CLUB on Thursday night. Rock vocalist and talented composer ALI MAAS joined them onstage as a special guest.

The duo played a selection of blues, rhythm and blues, soul and gospel songs that included some choice cover songs as well as a selection of Papa George’s own first-class numbers.

Songs like Little Feat’s “Sailin’ Shoes” had the crowd swaying along with its indolent lurching pace — the lethargic guitars and fervent passion of the lyrics penetrated every moment.

George’s fine picking on “You Can Love Yourself” ( by contemporary Delta blues artist Keb’ Mo’) was praiseworthy. As was the liquid bottleneck slide work from Micky.

Here George’s voice was wood-tar and old brandy seeing him perfectly capable of producing cream-hazelnut highs — husky-textured but sweet, sweet, sweet — from those incredible vocal folds.

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Papa George at Staines Riverside Club — here with Ali Maas

Jesus on the Mainline”  ( Ry Cooder)  was finely picked.

This gradually evolving Gospel number is a crowd favorite.

Encouraged to sing, the crowd at Staines joined-in enthusiasticall with the good-natured call and response.

Who likes John Lee Hooker?” cried Papa George. There was a yell of support so the musicians launched into “Crawling King Snake.

This a delta-blues song from the 1920’s that is almost always identified with Hooker. George’s voice on the piece was curmudgeonly and appropriately raw — but the guitarists had a whole lotta fun with the arrangement when they stumbled upon Muddy Waters’ “You Need Love” [the precursor to “Whole Lotta Love”]

The dynamic interaction and interdependence between these two consummate guitarists — plus their whiskey ‘n’ dry voices, with velvet textures — along with a canny song choice and the highlight ALI MAAS appearance — meant that this was a night to remember.

Words & Pictures: Neil Mach 2017 ©

Link: https://www.facebook.com/StainesRiversideClub/
SUPPORT LOCAL LIVE MUSIC

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STEVE MORRISON — Guitar Star Live in Staines

Since being on the telly [Guitar Star, Sky Arts 2015] the home-crafted bluesman STEVE MORRISON has become a bit of a draw.

We saw him and his band “Blues Abuse” [with Alan Hughes on drums and the legendary Alan Glen on harmonica] playing live at the superior RIVERSIDE CLUB, STAINES last Thursday.

During the first half of the electrifying show we enjoyed “Call Me the Breeze” JJ Cale [Naturally, 1972] which was rewarding, buoyant and appropriately transient.

Steve’s picking technique is impressive … he provides bass notes, chords and twiddles — often simultaneously.

Steve provides bass notes, chords and twiddles — often simultaneously... Photo Credit @neilmach 2017 ©
Steve provides bass notes, chords and twiddles — often simultaneously… Photo Credit @neilmach 2017 ©

Steve’s own composition titled “Love Has Gone” was gently set.

With baroque influences and a supreme lament-filled sob at the end, given up by Glen.

The sprinkle of finely chosen guitar notes fell like a confetti of anxious teardrops.

Another self-penned number, the “James Bond” theme called “Climbing On Top of the World” (“writing that was at the very top of my to don’t list…” Steve told the Staines audience) seemed crenelated and indented.

A fine blend of thrill, suspense and remarkable release.

In the second half, the happy crowd at the club were enlisted to join in with the choruses “just think of this place as a church… a church that sells beer…” we were told.       So we sang as we swayed.

Everyone from Elvis to Beyoncé via Suzi Quatro has covered Little Willie John’s “Fever.”

The Morrison version of this Peggy Lee favourite [penned by Eddie Cooley and Otis Blackwell] had all the ingredients we’d expect from a bigger blues-band – tangy bass line [played by Steve] yummy guitar work, and an awesome voice filled with heart & heat. And the “sax” licks were deliciously handled by Glen.

Full marks to Steve and his buddies for an entertaining live show.

The night had a whole lot of memorable moments (not just virtuoso guitar work, but also great drum solos, some fabulous blues-harp flurries and not to mention many gossipy revelations from Steve’s “telly” work — ) this was just like a traditional British rhythm and blues evening.

Another night of incredible quality musicianship at Staines, brought to us by the highest calibre musicians imaginable.

Words & Photos Neil Mach 2017 ©

Link: http://www.stevemorrison.eu