5 Things – This Week in Staines

1.

Best UK unsigned band - Live in Staines

Loaded Dice at Staines

Loaded Dice
Apr 05 2009
Hobgoblin
Staines

The last time AD PONTES saw this young band at The Hob, Staines we described the sound as ” Refreshingly effervescent cherry-pop fizz for a (spring) day…”

This band got to the UK final of the Junior Eurovision Song Contest a few years back. Currently, the lads are teetering on the very edge of ‘stadium’ success having won the title of the “Best UK live and unsigned band”. We wish them well. They are BIG local talents and you should get up to the HOB and support them…

Read the full ADPONTES-STAINES review of Shepperton’s LOADED DICE here

Link:


www.myspace.com/theloadeddice

Buckle Up Staines

http://www.buckleuppromotions.com

2.

Melodramatic Popular song…  Live at Windsor

To Arms Etc - Windsor Firestation

To Arms Etc
Apr 03 2009
Firestation
Windsor


To Arms Etc is a psychedelic keyboards based pop band with a huge following and great expectations. The ‘Don Henley’ drummer/singer Richard Perman takes the audience into melodramatic songs, emotional adventures and rock overtures.

If you enjoy sophisticated rock sounds then you should try this.

http://www.myspace.com/toarmsetc


3.

Exciting Alt/PowerPop- Live in Staines

Danny Roulette at Staines


Danny Roulette
Apr 02 2009
Hobgoblin
Staines

If you like your pop/rock supersized and powerful the try Danny Roulette…

Sounding like Biffy Clyro / Mars Volta / Weezer this band is sure to please!

Links:

http://www.myspace.com/dannyrouletteband

Buckle Up Staines

http://www.buckleuppromotions.com

DEMURE

Danny Roulette will be playing with the ever popular DEMURE. See this band now- they have just released their EP and are starting to grow is stature and success. The band plays Alt- Rock in the conventional sense but with overtures towards noise rock, especially in the way that the percussion and the bass are given the freedom to spread out their wings and have dissonant aural adventures of their own, but framed within the main architecture of each song.

The last time ADPONTES saw DEMURE we said that they reminded us of ‘Sonic Youth’ or ‘Butthole Surfers’. To check out the full ADPONTES review click here

4.

6-Piece Soul/Funk Covers – Live Ascot

Soul Selecta at Ascot

Soul Selecta
Apr 04 2009
Jagz
Ascot

Soul Selecta is a tight 6-piece Soul/Funk covers band, made up of members from Bucks, Herts and London. The band have been together since 2003, although each individual member is a true professional in their field with several years of experience with other bands. Having played many a bar/club/wedding/corporate event and private party, they are masters of their game, providing solid entertainment and style!!

Soul Selecta predominantly cover classic and modern R’n’B, Funk and Soul; from James Brown to Beyonce, but for occasions such as weddings, are adaptable and versatile to cater for all across the genres and decades.

Their performance is fuelled by their love for the music, and filtered through the bands own soul.  Whilst being faithful to the originals, they also bring their own edge involving the audience in a new moment, which demands you to dance!

They have a natural vibe and the ability to capture the mood and generate the groove!

Saturday, 4th April
Show will start at 8.45
Ticket cost: £8.00
Doors open from 7.30pm. £26 for 2 courses and entrance (£30 for 3 courses). Entrance for the bands is £8 but is strictly limited and on a first come first served basis. Entrance for dining or just the band INCLUDES free entrance to the nightclub

Link:

http://www.myspace.com/soulselecta




5.

Classic Rock Superband -  Live in Staines

Frayed Knot at Jolly Farmers - Staines

Frayed Knot
Apr 04 2009
Jolly Farmer
Staines

Last time we saw this Staines Superband we said:

“These boys play the songs that make the crowd yelp with joy, but served up with a sabre-sharp ice-cool quality that would make lesser bands look on enviously”

See what we mean at Jolly Farmer STAINES (Egham Hythe) Apr 4th

Check here for the full ADPONTES review

Links:

http://www.frayedknotmusic.co.uk/

Def try to catch them at this safe & friendly pub this weekend !

Other dates (if you miss ‘em) :

18/04/09    The Red Lion, Egham
29/05/09    The Carpenter’s Arms, Hayes
27/06/09    The Fox Inn, Bisley
04/09/09    The Carpenter’s Arms, Hayes
10/10/09    Ye Olde Swan, Burnham

-Visit AdPontes-Staines Regularly for Staines Arts-


5 Things – This Week in Staines

1.

Naughty but Nice Punk Rock at Staines

Malloys at Staines

The Malloys
Feb 05 2009
Hobgoblin
Staines


The group was formed by Paul “Belch” Belcher (lead vocals), Matthew “Mush” Dalrymple (guitar) and Matthew “Bnudd” Early (drums), who were soon joined by Nick Feltham (bass).The Malloys went through a line-up change when Dalrymple fell ill, and was replaced on guitar by Chris “Savvy” Restrick. When Dalrymple got better, he re-joined the band as rhythm guitarist, but quit several month later for personal reasons.

The band initially gained prominence performing on the London live music circuit. With much label interest, they declined any offers and decided to form they own independent record label Chestnut Road Records and released their debut EP Countries Crisis… The following year, the band recorded No One Likes Us with replacement guitarist Restrick now as full time member, and a year on from there the Naughty Naughty EP was released.

The fourth studio EP by the band will be recorded in late 2008/early 2009, and although an official release date has not been confirmed, it is rumoured to be out in February/March 2009.

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The Malloys will be supported by TrueBeat

TrueBeat are refreshing new ska band from West London breaking onto the scene as ska makes a real comeback. Their sound is lively and energetic with a wide range of influences – so put on your skankin shoes as this is real get on the dance floor SKA! They have recently recorded their first EP which has had a fantastic reception and they are definitely a band to keep a close eye on.

Links:


www.myspace.com/themalloysonline

www.myspace.com/truebeatuk

2.

Local 2-piece Musical Do-Gooders – Staines

Succotash at Staines

Succotash
Feb 06 2009
Riverside Club
Staines


Mix together some mellow lyrics and solid acoustic guitar with a dash or two of meaningful elemental percussion and what have you got?  Staines favourite musical cocktail -Succotash!

When not working on their other major projects (Staines favourite bands Foulplay and Five Foot Something) these two charmers play as a wholesome twosome…witness the smooth sounds this week at Staines Riverside Club…
Links:

Staines Riverside Club Laleham Road Staines £3 entry

www.myspace.com/succotashuk


3.

Master of Music  - Ascot

Frank Griffish Nonet


Frank Griffith
Nonet

Feb 08 2009
Jagz
Ascot


Frank was originally from Oregon & lived in New York from 1980-95. Bachelor of Fine Arts from City College of New York & Master of Music from Manhattan School of Music. Now living in London. As a composer & arranger has worked with Jon Hendricks, Lionel Hampton, Ron Carter & the Brooklyn Philharmonic Orchestra. In the UK has written for NYJO, Tony Coe/Norma Winstone & Mark Nightingale. Has played with Jon Hendricks, Ron Carter, Jack McDuff, Mel Torme.

His nonet was established many years ago and has played many festivals. The musicians include Bob Martin, alto, Mick Foster, baritone, Henry Lowther, trumpet, trumpet, Martin Gladdish, trombone, Tim Lapthorn, piano, Paul Morgan, bass,and Paul Clavis, drums.

Upcoming shows

Sunday, 8th February
Show will start at 1pm
Ticket cost: £6.00
Special – entrance and roast lunch £12…

4.

80′s & 90′s  Hits – Live Band – Live in Windsor

The Velvet Hearts

Velvet Hearts
Feb 06
Old Ticket Hall
Windsor

The Velvet Hearts were born in 2007. Frustrated with the industry, the band started posting live performances of their gigs on the website YouTube. These videos achieved phenomenal success, notching up 300,000 hits in just six weeks, gathering more subscribers than megastars Gwen Stefani and Gorillaz.

Their unique style, killer hooks and emotive lyrics are a result of Newman and Jones’ songwriting partnership, a journey that began in the music room in their early school days.

The ballsy rock edged sound of The Hearts certainly pays homage to rootsy rock’n'roll, but they are more than just a blues-rock band, their songs are stooped in emotion and offer the listener something more than your token ‘rock band’.

Grammy award winning producer Mark Pastoria stumbled across the band on YouTube and word of The Velvet Hearts spread to his studio in Motown. Only a few weeks later The Velvet Hearts flew to Detroit and recorded their debut album ‘Into The World’.

THE OLD TICKET HALL, WINDSOR, SL4
Cost: £3
LIVE BAND + DJ PLAYING 80’s & 90’s HITS – BAR OPEN TILL




5.

AC/DC to ZZ Top Classic Rock- Live in Egham

Blue Fuses Crown Egham

Blue Fuses
Feb 07 2009
Crown
Egham


BLUE FUSES have been gigging with their current line up since the end of 1994. Originally a blues band, these STAINES favourites now cover pretty much everything from AC/DC to Frank Zappa, via Pink Floyd, Led Zeppelin and Deep Purple. In other words, CLASSIC ROCK!

The band delivers a tight, highly entertaining performance, every time. This is not a band that hides in the corner apologising for its existence! They play for the sheer enjoyment of entertaining an audience… check the ADPONTES-STAINES live review here.

The Crown
High St, EGHAM, TW20 9DP

Link:

http://www.bluefuses.co.uk

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-Visit AdPontes-Staines Regularly for Staines Arts-

2 Sick Monkeys

STAINES  HOBGOBLIN
Thursday 29th January 2009

2 Sick Monkeys

2 Sick Monkeys

When the strange character (looking like the spurned son of 70’s comic Bobby Ball- I piggin’ hate you, Tommy) burst onto the stage and screamed “Hello, Goodbye! We are havin’ a party… you’ll f**** love it!” the audience automatically started to protect their softer nether regions whilst backing carefully and slowly away in a wide-eyed and anxious state of alarm. Groomed hair was about to become dangerously ruffled, unsullied minds were about to be torn up and messed with, and the pretensions and mediocrities of living a comfortable and predictable life in Staines were about to be pushed violently aside in an anarchic attack upon our precious Surrey/Berkshire claims and soft eardrums. Then the chattering, rolling, thundering onslaught upon nerves and ears proceeded. And what a pleasure the pain truly was.

Pete Tower is the bass playing virtuoso mad-monkey frontman…a highly volatile incarnation of Ian Dury, combustible and highly unpredictable. He should be marked ‘danger UXB’ and placed in a lead-lined box for safety. Instead he is whirling around our pub like an out-of-control firecracker spitting and hissing like some cross between a banshee and a venomous python. He is smiling one minute- snarling and grimacing the next. He is up. He is down. He is enraged, he is calm. Hello, goodbye… he is all the things you hate and everything you love. He is like a one-man chemical reaction to everything you have to endure in this filthy world -releasing a spontaneous spume of exothermic energy into the cold night air.

Accompanying him on the drums is the one-man percussive army of Fred Nus whose style is so self-confident and aggressive that he would have triumphed single-handedly against the Persians at Thermopylae in 480 BC and would have told the 300 that they
were ‘as soft as shite’ and to ‘sod off back to Sparta’ because he has got it ‘all in hand’.

The band played a rollicking selection of what Pete called ‘jazz songs’ and he continued to insist (because nobody dared to argue with this profane mad-hatter mentalist, no matter how tongue-in-cheek) that 2 Sick Monkeys were a West Country Jazz band. But the rapid street level gutter punk-politics of threatening, gesturing and gurning were always there like a bad smell in the kitchen sink.

My favourite song in the 2 monkeys scrapbook was “Why” as in…”Why are we always making bombs? Why do we have to suck so much American cock? Why? Why Why?”  Pete is like the Banksy of punk rock. Many of the 2 songs are nice n’ easy to follow … 2-bit 2-word choruses 2-chord riffs and 2 part formulas.  But these stencilled 2-dimensional guerilla songs disguise an anti-establishment, anti-war and anti-capitalist profusion of rage and hysteria…albeit nicely packaged into neat and carefully presented tasty titbits for the world-weary consumer.

Pete is like the intellectually superior wino-vagrant that you see (but try to ignore) each morning in the shop doorway. Moist, dishevelled, smelly, rotten, revolting even; But he is genuine in a way that you are not. He is contented in a way that you will never be and- most importantly- he can chat his way out of things and rat his way into things in a way that you will never be able to copy. He uses an astonishing display of erudition that leaves you way, way behind …you are completely out of your class with this grinning , gymnastic, gold-winning, mindgaming street athlete and the mental stunts that he can perform.

I absolutely loved it that the 2 Sick Monkeys ripped apart the entrails of Green Day’s “American Hero” before flinging the remains of this ‘sacred song’ unceremoniously onto the dancefloor for the grovelling masses to recoil from in feign horror. The band interpreted this song ‘as played by Slipknot’ but I noticed that Fred Nus provided the true and clear Green Day chorus towards the end of the number. This was a tried-and-tested theatrical device that helped to alleviate the unconcealed pressure that was building up in the minds of  loyalist punks everywhere and was successful in restoring the song back into the hearts of the punters as a worthy punk anthem.

The bass attack of Pete has to be seen to be believed. I am sure that I have never witnessed such competent, confident and yet furious bass-playing before. In normal circumstances virtuosity is frowned upon in the world of punk rock. But the credentials of this worthy band are intact because it is a two-piece and so, you tell yourself, Pete has to be a remarkable player…just to get the most from this limited set-up. The band bill themselves as ‘A small outfit with a big sound’ but this doesn’t do justice to the mighty accomplishments of these two West Country performers. The cider with rosie, wooden skittles and smell of sawdust is never far away- not surprising for a band from Wootton Bassett, Swindon but the two punksters-extraordinaire also project an authentic and very urban sound and style- almost as alienating and as it is intense
-feelgood punk sound as it should be.

A tactical assault on your sensibilities… walk the fine line between hope and despair with 2 Sick Monkeys as soon as you can… it is essential.

© Neil_Mach
Jan 2009


Link:

www.myspace.com/2sickmonkeys

Feb 13 2009     8:00P The Victoria         Swindon
Feb 14 2009     8:00P F*** Valentine     The Grosvenor     Stockwell
Feb 21 2009     8:00P The Victoria         Deptford
Feb 27 2009     8:00P The Gaff              London
Feb 28 2009     8:00P New Cross Inn     London

Keep checking AdPontes-Staines for news, reviews, articles and gig-guide

Ad Pontes Staines- music arts & going out IN STAINES




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Gravity is Dead

STAINES  HOBGOBLIN
Sunday 25th January 2009

Gravity is Dead

Gravity is Dead

But There is Plenty to Hold On To

It is said that gravity is much weaker than it should be. They say that this is because it has the ‘other’ eleven-or-so dimensions  to deal with. They say this will all be revealed once we start to get results from the Large Hadron Collider. So, to quote Laura Veirs, it does look like “Gravity is Dead”.

When the Surrey band of the same name came to the stage at The Hobgoblin, Staines last Sunday I said to myself, “Go on surprise me…make me go whoop”.  And this they did.
‘Gravity is Dead’ is a local garage punk band who can achieve moments of blinding and uplifting brilliance and also plunge the wells of the purest yet darkest thoughtfulness. The heavy-ish choppy guitar sounds are insistent and tight- reaching melodic highlights at times and reminding me of vintage Lightning Seeds.

Their combined musical ability is all-too-real and the slow-burning ‘You Don’t Understand’ starts with Led Zep ‘Stairway’ type unplugged sounding chords before tapping out much more complex rhythms and building up to an intense and satisfying conclusion.

To the question, put to the audience by lead singer James, “What’s Your Name?” the answer was a feeble ‘Nigel’ hollered from the back of the room, near to the gents bogs. Then the band replied by playing an upbeat and harmonic tune with plenty of colourful melodic phrases ( more ‘Vines’  than ‘Hellacopters’ but in the same tradition as both.) Slowest song of all in the band’s scrapbook was the genteel swayer “Put Up A Fight” packed with plenty of feel-good colours and tones. A jamboree bag of the most comforting vibes.

When I slipped off to the gents, the pub’s resident-in-chief Mersey-born piss-head said to me, in his drunken state, “Tunes…they are all just tunes…and I suppose if you like tunes then you’ll like this lot.”  And, even if he was not trying to be complementary, he was right.

Clean-cut Joe Williams’ lead guitarwork is insistent and threatening – think of the Swedish ‘Hives’ guitarist Vigilante Carlstroem to get the idea- but each nuance and squeak is optimized and tweaked by this ‘city-trader’ looking control-freak to get the most out of the frets. Joey Godzikowski (drums) rattles out a good solid blaze-of-glory beat without unnecessary flourishes or flamboyance.  Long haired (starve a hippy) bass-player Ben Sinfield is as reliable as an Army Hummer on a dusty desert track in the Kandahar province; Muttering firmly onwards, he is not looking too hard for any trouble.

Most of the focus of the crowd is on the red-fringed centre-forward named James Tate (vocals and guitar) whose controlled aggression reminded me of a Spanish matador… gradually wearing down the prizebull (in this case the crowd) with his patient toying and exciting, yet casual, flirtations with peril. Tinkering with tragedy-  he keeps the crowd t-t-tense with anticipation. And then finally, when we cannot take the intensity any more, he rises for the kill.

And so the songs continued, always played with a ribald punky edge, towards the coup de grâce conclusion of the self-titled
song ‘Gravity is Dead’ that yearns to be a major hit and is built as solidly and as proudly as the hurricane bow of an aircraft carrier. Powerful, commanding and secretly deadly.

But then, when the final stage of the performance was all but over and the faena was complete, the braying crowd started to plead for mercy and just one more, final, song. So ‘Space’, the band’s most famous track, was dusted down and presented by James as a tasty treat. It was provided as an after thought. A bit like the host of a posh dinner party forgetting the after-eight mints at the end of the meal and so offering them to the guests as they bundled, blinking, out of the front door.  This song starts like the Muse song ‘Take A Bow’ and also kinda reminds me a lot of the Wolverhampton art-rockers Zoo Babylon track ‘Spaceman’ both in lyrical content and in ambition. It was a great final course but would’ve been better if served with coffee…

So, before you get too worried about losing your grip on this- or any other world, (at least for the moment) – I think you can assume that ‘gravity can hold you down… ‘

© Neil_Mach
Jan 2009


Link:

www.myspace.com/gravityisdead

Ad Pontes Staines- music arts & going out IN STAINES




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Afterspark

STAINES  HOBGOBLIN
Thursday 9th October 2008

A Spark or a little glow?

‘Out of Here’ with its stripped down to the pine atmosphere and chinkle-chinkle of acoustic rhyhtm guitar along with a light dusting of snare and cymbal, like a pre-electric White Stripes (but only with Joni Mitchell singing) is like being on a date with a supermodel who hasn’t yet had her supper. Full of promise and beauty but driving you up-the-wall because of the painful misery of being so peachy and perfect…

‘View from the Ground’ is lighter and a little lovelier with sweeter vocal arrangements that remind the listner of Christine McVie. Na-Na-Na-Na-Na… it is like a bittersweet tongue-in-cheek lovers revenge tiff. A song of such sparse accompaniment that I am surprised it didn’t come with a glass of water and some crispbread. Stronger though is ‘Still Green’ recorded with strings and keyboards on the album ‘Sometimes We Forget’ -but when played live it is cut down and hacked back like a shrub in the yard -only to sprout and fizz out in the end with a surprising and unexpected vigour.

I don’t know if you have seen the musical ‘Forbidden Planet’ (stay with me) but one of the most exciting and atmospheric things about that show is the way that the musicians ‘move around’ from instrument to instrument at the start of each scene. So the drummer plays the trombone then he plays the guitar then he plays the sax and only then does he go back to the drums. You get the idea?  It is amazing to witness. Well, Afterspark do a nice little run of instrumental gymnastics in much the same way. Afterspark actually only comprises of Cate Ferris and Adam Staff but they seem to employ some significant others who “move around” from instrument to instrument. I think Adam plays just about everything they’ve got from percussion thru keyboards to guitars. I think he even plays two, or maybe even three, instruments at once. What a guy!

Cate’s voice doesn’t have the same sherry-wine fruitiness and quivering roundness of someone like Martha Tilston – Cate’s vocals at times tend to stretch the acceptable limits of your hackle feathers and mine, certainly, felt a bit ruffled at times … I won’t say her sounds screech the blackboard… but you know what I mean. Her voice could do with a dab of cherry polish and a heavy dose of 15 year old whiskey to be as acceptable as some of her contemporaries. But she does have bags of charm and a certain cheekiness in her voice and the lyric that seems more tender and more innocent (and less potently destructive) than someone like Martha.

Cate and Adam like to experiment with their jazz sounds and so the stripped down feel of the band goes a long way to supporting these ambitions. Mixed up with a bit of fast-fusion acoustic thrashed rhythm a la Tierra Acida’s Rodrigo y Gabriela, some of the songs have an ambience and a quality comparable with the Nitin Sawhney- style of light ‘world’ of jazz fusion with its acoustic/jazz/experimental vibe.

When I spoke to Cate after the Staines gig I remarked upon how versatile the band could be- vis-a-vis being able to play any size venue. ( I was thinking wine bars and the like.) She told me that the noise the band makes means that they have to rule out some of the more sophisticated spaces. Well, actually she said, “We like to be noisy”. And I know what she means. The drums and pulses that are the backbone of the sounds are at times tempestuous and are almost always breezy and chunky. This may be a folk jazz band but they live in the loud and naughty noughties so they like to make a racket like the rest of us.

If you are expecting something soft and sweetly meditative along with a period of navel contemplation then Afterspark may not be what you are looking for. The sound is more acidic and spiky than warm and friendly- it is a sound more akin to Kate Nash than to Joni Mitchell. But if you like your folk music to be witty, gritty and dry then  this may do you fine.


© Neil_Mach
Oct 2008

See them next at:

2 Nov 2008      20:00 The Durrell Arms Fulham
15 Nov 2008     20:00 The Larrik Fulham

Links:

http://www.myspace.com/afterspark

Keep checking AdPontes-Staines for news, reviews, articles and gig-guide


Ad Pontes Staines- music arts & going out IN STAINES

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  1. Thanks for the write-up, dood. It’s a pleasure to ‘be noisy’ for you guys, any time.

    You rock