Kindred Spirit at Staines Riverside Club

What can be better than sharing a well drawn pint or two with some like-minded friends, whilst listening to a quality live performance from some of the finest musicians in the business? The Riverside Club in Staines has been attracting some of the big names from the music world to its humble riverside home of late. Last Thursday the club welcomed through the doors the undeniable talent of locally based folk-rock band Kindred Spirit. Folk-Rock is experiencing something of a renaissance recently – Fairport Convention and Pentangle are still with us charming the audiences…  and now we have a new generation of groups like Mumford & Sons and Midlake to take us up to the next level, and some exciting and experimenting bands like Fleet Foxes, to reassure us the genre is far from dead.

Kindred Spirit (playing as a three piece at Staines Riverside Club) have those lush harmonies and emotional power  that you come to expect from this kind of group. The violin from Gavin Jones is exuberant and fresh and the feverish pipes and flute (and sax) from Annie Parker leaves you tingling inside. Across this chiming, piping-hot, spiky landscape comes the lush and gently unassuming vocals of Elaine Samuels, whose voice is reminiscent of the late Sandy Denny.

The first half of the set (before the club’s obligatory raffle) was vaguely ‘horse related’ and the second half was  ‘sea travel’  related. I do not know if this was planned or a happy accident. So, in the first half, we had such traditional-sounding delights as ‘The Galway Farmer’ (Devon folk duo ‘Show of Hands’ – 1992) with those scuffed and skiffling fiddles and ne’er-do-well jaunty pipes. And “A Horse with No Name” (‘America’ 1972) with those esoteric chords and the haunting sense of loss along with reverberant regret. In here too were some ambitious songs like Pink Floyd’s ‘Wish You Were Here’ with some extremely enjoyable woven interplay from Annie and Gavin and Elaine’s voice perched high above – as teasing as a wood lark.

The second half incorporated plenty of sea-wall imagery. A perfect rendition of “Martha’s Harbour” (‘All About Eve’ – 1988) depicted the agony of waiting by the waves for a true love to return from across the churning sea. But this song was somewhat diminished by Kindred Spirit’s own composition “I’ll Always Love You” (from the “Dance of Life” album). This song reminded  me of Fleetwood Mac circa 1977 (the band often plays ‘The Chain’ to great applause at gigs,) but once it started, it settled down to a lustrous and emotive folk-rock ballad. Annie’s flute was like a sea-bird fluttering in the sea-breeze, but the power and surge of the fiddle was like the sea-spray fiercely spitting into your face. Luckily, Elaine’s deliciously smooth vocals took you back to an altogether warmer, more friendly and infinitely more welcoming place.  This was, for me, the high point of the evening.

Kindred Spirit’s own songs are full of mystery and magic. Their compositions are sometimes as haunting as a cold-dread phantom and at other times as fleet footed as a mountain gazelle. The clear articulation of Elaine’s vocals over and above the elaborate and intricate solos from Gavin and Annie, often leave you on the edge of your seat with excitement.

“Lady Eleanor” (Lindisfarne) started with an intro that reminded me of a (little slower) “Long Train Runnin “  (Doobie Brothers.) The original version had a more mystical East feel to it. The song immediately embarks upon a magical journey brought alive by the mysterious and foggy delights of Elaine’s silken, breathy vocals.

Lola (Kinks) was another popular cover.  Full of teasing and almost giggling violin and flute. Annie and Gavin provided quirky backing vocals. On the original song Ray Davies played a steel bodied resonator-type guitar on this track… which gives the song more pinch, pluck and plonk – the Kindred Spirit version is more whimsical lyrically and smoother instrumentally, with a much softer guitar sound from Elaine.

Finishing off the show with an exuberant version of Van Morrison’s “Brown Eyed Girl”, the audience was left stunned by a performance which was both truly refreshing and full of vigorous energy. An amazing evening.

You can see Kindred Spirit play with Blue Onyx (The Moody Blues Tribute Band) at The Leatherhead Theatre on Saturday 4 December. Or check their website for more local concerts. See links below.

© Neil_Mach
October 2010

http://www.elainesamuels.co.uk/

http://www.the-theatre.org

http://www.myspace.com/kindredspiritukband

The Eldon Arms        Reading        Sat 30 Oct
The Royal Oak         Berkshire     Sat 20 Nov
Leatherhead Theatre                    Sat 4 Dec

Ad Pontes Staines- music arts & going out IN STAINES




Feedburn This

Aspex – Hobgoblin, Staines – Sep 23rd

Put a simple punk/ska song into your machine and set it to economy wash with a fast spin- and out will come this frothy knotted confusion of jolting rhythms and uncoordinated colours. But it kinda makes sense if you take time to carefully unknot each piece. ASPEX are the kind of band that set their amps on ‘turbo spin’ and set their tempo to ‘rapid wash’ and then deliver results in a riot of colours and a jumble of sounds.

Aspex is a three piece garage rock band from New Haw, Surrey- and they have just finished recording their first E.P. They say that it’s been 10 months since they last played their set list, but the happy throng at the fantastic local venue, the Hobgoblin, Staines, welcomed the boys with open arms. Stubbly stern faced ‘Peed’ is on lead vocals and guitar;  New Mohican ‘Week’ is on backing vocals and bass guitar; Finally,  smartman ‘Carver’ is on Drums.  With influences from Red Hot Chili Peppers  to Arctic Monkeys, you know you’re in for some fun, and Aspex don’t disappoint.

‘Be Yourself’ has military style drums leading to a rock and roll cavalry charge – whilst a Middle Eastern hunting eagle of a guitar screams and wails overhead – as the song evolves into a jammy verse. This is one of a number of articulate and carefully crafted numbers, athletically performed by this crew.

Then we are given a humdinger of a cover – Cream’s “Sunshine of Your Love” – and you begin to understand that this band exudes quality and passion for ‘The Rock Music’.  Pitching is nearly always spot on and the jagged phrasing and off beat accents of their own compositions are complemented by their choice of cover songs. Rhythms often skid off the tracks, sent madly hysterical by those ever screaming guitar lines. And the chugging bass is played spontaneously and energetically by bouncing ‘Week.’

Towards the end of the performance the crowd at The Hob got a note perfect rendition of ‘Another Brick in the Wall’ -  yet another example of the breadth of imagination that this band possesses.

Aspex – they never stop daring to be different.  They never stop in the pursuit of total rock.

© Neil_Mach
September 2010

Link:

http://www.myspace.com/bandaspex

Ad Pontes Staines- music arts & going out IN STAINES




Feedburn This

Haydon’s Place – The Hobgoblin, Staines APR 01

Absurdly good looking Surrey band Haydon’s Place (named after a charming street in Guildford) brings to mind those influential Canadians “The Band” or even the sixties legends “The Byrds”. Their top-notch quality folk-rock sounds seem to be driven by those old style “collegiate folk” melodies and harmonies.  So easy to slip into. Like a big duvet full of sensual sound. Restful and relaxing.

The skillful combination of rhythm and blues fused with American folk melodies and soulful harmonic style country-rock is evoked by Christian on keyboards and vocals, Antonio on joyful lead guitar, Steve on percussion and Terry on bass.

Christian is tall and lanky, curly mopped and smiling – and brings to mind a more serious ‘Mika’. But his voice sounds very much like Welsh rock band ‘Budgie’ lead singer Burke Shelley (check out the Budgie classic “Parents” to see what I mean.)  Or even Rush’s Geddy Lee, if that kinda thing floats your boat. Christian’s distinctive honey sweet eagle soaring voice complements and adds soulful relish to each masterful song.

Antonio plays in an unhurried and confident style, his licks gracefully arching and falling like an exalted crane. No technical wizardry but sweet, quiet and lovely instrumentation.  Bass and percussion are played superbly, with great feeling. But even if there are no obvious fireworks or whooshing rockets of sound, this is not mediocrity – it is fulfilled and controlled musicality full of passion and creativity.

The dirtied up pure folk-rock sound provides ample opportunities for some swaying, cuddling-up and gentle pecking. Their warm-hearted songs- sung with grace and satisfying clarity-  often vividly embody luminescent peaks of sound  and gentle choruses, to warm those hard-up cockles. The crowd at The Hob Staines, just lapped it all up like Cheshire cats on the cream.

A jubilant audience found themselves swaying and dancing in the aisles. And the queue (at the end of the performance) for the band T’s and CD’s twisted round the Staines venue like a python ravels itself around an exotic dancers thigh.  This band is gonna be big.  Mark my words.

Haydon’s Place is all jangly, sure-footed, run-out-and-buy stuff – this music is played with a sweet heart  and an enthusiasm for highborn Americana – crafted with love and genuine emotional attachment.  My only negative criticism is that the lads new single  ‘Distance ‘  is a tad too obvious and far too cheesy for my taste … in fact all I wanna do is  “runaway runway”  each time  I  hear  it  . . .

Joyful pop for a new beat generation.

© Neil_Mach
April 2010

Next live at:

Apr 30 2010     8:00PM  Plantation     Guildford

Link:

http://www.myspace.com/haydonsplace

Ad Pontes Staines- music arts & going out IN STAINES




Feedburn This